Perhaps a creed is best known by what it does when it holds political sway. - Ram Swarup

The fact is that the truth of harmony and human brotherhood derives not from an absorbed trance but from an awakened prajñâ or wisdom; and its validity depends not on any dramatic ecstatic visions but it belongs to man’s deeper vision and even to his natural reason unspoilt by theologies of exclusiveness.

When Huxley accepted the spiritual view of life, his opposition to monotheism remained and in fact deepened. He could not be reconciled with the Christian God, the Father and a habitual whipping father too - the wholly other. He sees sadism in this God. In Island, a very late work, one of his character says: "Somebody ought to make a historical study of the relations between theology and corporal punishment in childhood. I have a theory that, wherever little boys and girls are systematically flagellated, the victims grow up to think of God as - 'Wholly Other'... A people's theology reflects the state of its children's bottoms. Look at the Hebrews - enthusiastic child-beaters. And so were all good Christians in the Age of Faith.8 Hence Jehovah, hence Original Sin and the infinitely offended Father of Roman and Protestant orthodoxy. Whereas among Buddhists and Hindus education has always been nonviolent. No laceration of little buttocks - therefore Tat tvam asi, thou art That, mind from Mind is not divided." Continuing he mentions Augustine and Martin Luther, as the "two most relentlessly flagellated bottoms in the whole history of Christian thought"; and how their flagellation-theology is carried to its logical conclusion by Calvin and others. "Major premise: God is Wholly Other. Minor premise: man is totally depraved. Conclusion: Do to your children's bottoms what was done to yours, what your Heavenly Father has been doing to the collective bottom of humanity ever since the Fall: whip, whip, whip!"

The fact is that Christian art failed at a deeper level. It failed not in execution but in conception and vision, and this failure was at bottom failure of Christian theology in which mysticism is rudimentary and peripheral. Christian theology has no concept of transcendence, non-attachment, recollectedness, equality (samatâ), liberation (moksha), the vast (bhûmâ) and the infinite (ananta), compassion (kurunâ), of cosmic action emanating from restfulness at the centre; therefore, it felt no call to try to convey them in its art-forms. A deeper iconography needed the support of a deeper theology and vision. This explains why Christian art has no equivalents of Far Eastern Buddhas and Bodhisattvas as Huxley notices. The Eastern tradition was shaped by Hindu religious thinking and sensibility. Hindu art tried to portray the inner man: the Man behind the man, the Eye behind the eye, the Seeing behind the seeing, man's inner prânika or life-currents, the nodal points in his subtle body where the individual meets the cosmic. It portrayed man's inner physiognomy. .... But they portrayed the external man; there was no portrayal of the inner man, the luminous man, the transcendental man.