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" "As with modern totalitarian regimes, people developed techniques for speaking in code, addressing at one or more removes what most mattered to them. But it was not only caution that motivated Shakespeare’s penchant for displacement. He seems to have grasped that he thought more clearly about the issues that preoccupied his world when he confronted them not directly but from an oblique angle. His plays suggest that he could best acknowledge truth—to possess it fully and not perish of it—through the artifice of fiction or through historical distance.
(born November 7, 1943) is an American Shakespearean, literary historian, and author.
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On the other side of anger at those who either peddled false visions of security or incited irrational fears of death, Lucretius offered a feeling of liberation and the power to stare down what had once seemed so menacing. What human beings can and should do, he wrote, is to conquer their fears, accept the fact that they themselves and all the things they encounter are transitory, and embrace the beauty and the pleasure of the world.
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Shakespeare believed that the tyrants and their minions would ultimately fail, brought down by their own viciousness and by a popular spirit of humanity that could be suppressed but never completely extinguished. The best chance for the recovery of collective decency lay, he thought, in the political action of ordinary citizens. He never lost sight of the people who steadfastly remained silent when they were exhorted to shout their support for the tyrant, or the servant who tried to stop his vicious master from torturing a prisoner, or the hungry citizen who demanded economic justice. "What is the city but the people?"