To draw a parallelism between the arts and the sciences is always dangerous, for the relationships between either and the society in which they flour… - Eric Hobsbawm

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To draw a parallelism between the arts and the sciences is always dangerous, for the relationships between either and the society in which they flourish is quite different. Yet the sciences too in their way reflected the dual revolution, partly because it made specific new demands on them, partly because it opened new possibilities for them and faced them with new problems, partly because its very existence suggested new patterns of thought.

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About Eric Hobsbawm

Eric John Ernest Hobsbawm, CH, FRSL, FBA (9 June 1917 – 1 October 2012) was a British Marxist historian and author and a leading theorist of the Communist Party of Great Britain (1920–1991), and former president of Birkbeck College, University of London.

Also Known As

Native Name: Eric John Ernest Hobsbawm
Alternative Names: Obstbaum E.J. Hobsbawm

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The era of liberal triumph began with a defeated revolution and ended in a prolonged depression. The first forms a more convenient signpost for marking the beginning or end of a historical period than the second, but history does not consult the convenience of historians, though some of them are not always aware of it.

Much less useful, I think however, is the search for deep structures and particularly the search for la conscience. I may be entirely heterodox, but I don't think historians have an awful lot to learn from Freud, who was a bad historian, whenever he actually wrote anything about history. I have no opinions about Freud's psychology, but I regard the belated discovery of Freud in France some forty years after the rest of the world as by no means an unqualified plus. It seems to me it is a minus, insofar as it diverts attention into the unconscious or deep structures from, I won't say conscious, but anyway logical cohesion. It neglects system. It seems to me the problem of mentalities is not simply that of discovering that people are different, and how they are different, and making readers feel the difference, as Richard Cobb does so well. It is to find a logical connection between various forms of behaviour, of thinking and feeling, to see them as being mutually consistent. It is, if you like, to see why it makes sense, let us say, for people to believe about famous robbers that they are invisible and invulnerable, even though they obviously are not. We must see such beliefs not purely as an emotional reaction but as part of a coherent system of beliefs about society, about the role of those who believe, and the role of those about whom the beliefs are held.

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These and many other attempts to replace history by myth and invention are not merely bad intellectual jokes. After all, they can determine what goes into schoolbooks, as the Japanese authorities knew, when they insisted on a sanitized version of the Japanese war in China for use in Japanese classrooms. Myth and invention are essential to the politics of identity by which groups of people today, defining themselves by ethnicity, religion or the past or present borders of states, try to find some certainty in an uncertain and shaking world by saying, 'We are different from and better than the Others.'

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