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" "Everything is storytelling. Indigenous sciences are embedded in stories; this is how we share our Indigenous sciences.
Grace L. Dillon is an academic and author who is of Anishinaabe and European descent. She is a professor in the Indigenous Nations Studies Program, in the School of Gender, Race, and Nations at Portland State University. She edited Walking the Clouds: An Anthology of Indigenous Science Fiction and coined the term Indigenous Futurisms.
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Recurring elements in alternative Native stories include the Sand Creek Massacre of 1864, the Battle of Little Big Horn and Custer's demise (1876), the Ghost Dances after the Wounded Knee Massacre in 1890 (albeit many forms of Ghost Dances occurred historically prior to Wounded Knee), and the Oka uprisings of the 1990s at Kahnesatake. The Ghost Dance may be the most widespread image connected to Native Apocalypse
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I coined the term “Indigenous futurisms” in 2003 while editing Walking the Clouds: An Anthology of Indigenous Science Fiction. Much like Afrofuturism, Latinx futurism, and the like, Indigenous futurisms is a literary and artistic movement that expresses Native perspectives of the past, present, and future. These genres encompass the myriad communities too often overlooked within speculative and science fiction. Still, they can be limiting in their singularity.