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" "Çünkü dünyanın kendisini katbekat aştığını biliyor, kendisinin de aralarında olduğu, o sessiz yuvalarında onurluluk ve ağırbaşlılığın ufak vahasında yaşayanların, dışarıda neler olup bittiğini korkudan titreyerek düşündükleri sırada, kirli sakallının tüm barbar soyunun, o yoldan çıkmış süprüntüler sürüsünün, içgüdüsel bir güvenle dizginleri ele geçireceğini de açıkça görebiliyordu.
László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango (, 1985) and The Melancholy of Resistance (, 1989), have been turned into feature films by Hungarian film director Béla Tarr.
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Brusc, simti un gust acru pe limba si crezu ca a sosit moartea. (...) era atent, zi de zi, la gustul mancarii, deoarece stia ca moartea se instaleaza mai intai supe, in carnuri, in pereti; mesteca indelung fiecare bucatica de mancare, inghitea incet apa sau, rar, vinul, iar uneori simtea o dorinta irezistibila sa rupa o bucata din tencuiala plina cu pete de salpetru de pe peretii din sala masinilor de la vechea casa a pompelor, unde locuia, si s-o guste, ca-n anomalia ce tulbura ordinea aromelor, gusturilor sa recunoasca Semnul, convins fiind ca moartea este doar un soi de atentionare, nicidecum o irevocabilitate disperata.
Faith, thought Eszter, recognizing his own stupidity, is not a matter of believing something, but believing that somehow things could be different; in the same way, music was not the articulation of some better part of ourselves, or a reference to some notion of a better world, but a disguising of the fact of our irredeemable selves and the sorry state of the world, but no, not merely a disguising but a complete, twisted denial of such facts: it was a cure that did not work, a barbiturate that functioned as an opiate.
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It would be better for you to turn around and go into the thick grasses, there where one of those strange grassy islets in the riverbed will completely cover you, it would be better if you do this for once and for all, because if you come back tomorrow, or after tomorrow, there will be no one at all to understand, no one to look, not even a single one among all your natural enemies that will be able to see who you really are; it would be better for you to go away this very evening when twilight begins to fall, it would be better for you to retreat with the others, if night begins to descend, and you should not come back if tomorrow, or after tomorrow, dawn breaks, because for you it will be much better for there to be no tomorrow and no day after tomorrow; so hide away now in the grass, sink down, fall onto your side, let your eyes slowly close, and die, for there is no point in the sublimity that you bear, die at midnight in the grass, sink down and fall, and let it be like that — breathe your last.