I had my right hand around that saddle horn like it was the doorknob to heaven's gate, and my right elbow was crimped down over my hipbone like a vis… - Max Evans

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I had my right hand around that saddle horn like it was the doorknob to heaven's gate, and my right elbow was crimped down over my hipbone like a vise. I was pulling on the them hackamore reigns like I was dragging a pot of gold out of a deep well. But it just didn't do any good. That son of a... bogged his head and jumped way off toward the Arizona border and came down hard on his front legs, driving them in the ground plumb to bedrock, the way it felt to me. The next jump was just as high and just as long, but when he drove into the ground again he was headed for the Texas border, and in between that old roan horse was sure tearing hell out of New Mexico.

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About Max Evans

Max Evans (August 29, 1925) is the native author, writer, and film director upon which the Slim Randles book, Ol' Max Evans: The First Thousand Years, and the 2018 documentary film of the same title are based. The 1998 film and the 1965 film The Rounders were based upon two of his many books.

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Additional quotes by Max Evans

Silver City Millie contains sordid details and frank language that will make many readers blush, but before her bawdy, drunken life is condemned, readers must become aware of the full context of prostitution in the American West. It was like motherhood and apple pie. It was expected, condoned, appreciated, and segregated. ...The ratio of men to women in the frontier West was frequently seven to one.

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The story of Silver City Millie is the story of one woman's personal tragedies and triumphs as an orphan, a Harvey Girl waitress on the Santa Fe railroad, a prostitute with innumerable paramours, and a highly successful bordello businesswoman. Millie broke the mold in so many ways, and yet her life story of survival was not unlike that of thousands of women who went West...

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