Several times, Emilio had taken Ty to the mountains to fish for trout. ...The gurgling, forever-twisting little snowmelts coursing, playing, singing over millions of differently shaped stones deeply fascinated a young man from the dry, flat plains of Lea County. It was a gift of beauty sparkling in the sunlight to out glimmer all the diamonds in the world. ...He would have wagered on it. Emilio had introduced him to a ceaseless wonder. ...and the fishing was almost as exciting. He could never stop marveling that these small streams could be home to foot-long brown and rainbow trout.
American writer of Western fiction
Max Evans (August 29, 1925) is the native author, writer, and film director upon which the Slim Randles book, Ol' Max Evans: The First Thousand Years, and the 2018 documentary film of the same title are based. The 1998 film and the 1965 film The Rounders were based upon two of his many books.
From: Wikiquote (CC BY-SA 4.0)
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The beast of war belches and passes almost endless odors. There is the acrid smell of freshly detonated gunpowder and burnt steel. There is the sweet scent of newly freed blood misting above the dead, dying, and mutilated bodies, little red streams forming pools that begin to turn brownish as they seep into the bruised earth. There is a special combined smell when a shell penetrates, explodes, and sets fire to a tank—a mixture of steel, powder, human flesh, bone, and blood, gasoline and oil, clothing, and stained and torn family photos.
There is the unforgettable stench of bodies long past the first discovery of flies. This is a forever odor. So is the scent of villages, towns, and cities burning.
I had my right hand around that saddle horn like it was the doorknob to heaven's gate, and my right elbow was crimped down over my hipbone like a vise. I was pulling on the them hackamore reigns like I was dragging a pot of gold out of a deep well. But it just didn't do any good. That son of a... bogged his head and jumped way off toward the Arizona border and came down hard on his front legs, driving them in the ground plumb to bedrock, the way it felt to me. The next jump was just as high and just as long, but when he drove into the ground again he was headed for the Texas border, and in between that old roan horse was sure tearing hell out of New Mexico.
As beginning buddies do, Ty had casually mentioned that he'd overheard his grandfather saying to his grandmother, "That Ty is always running for the far horizon, but it keeps moving ahead of him," and Martha had answered as always in his favor, "Yes he is. And someday he'll catch it, and it'll be downhill from then on."
When I was still a teenager, I acquired a small, well-watered (with springs) ranch in northeastern New Mexico. It was located fourteen miles east of the village of Des Moines—which I would later call "Hi-Lo" in my many writings and a major film. ...In those poor struggling days, coyote hides would bring from five to fifteen dollars—a ton of money at the time.
On Glorietta Mesa south of Santa Fe, I went to work on a cow ranch about three months before my twelfth birthday. Almost everyone—in this time and place—was so poor that it was a common practice for ranchers to loan themselves and/or their hired hands out to help each other—especially with big jobs like branding and roundups, and even fence building. It made survival possible.
Jiggs loved playing his old Victrola in the early evening and often asked Ty to sit with him and listen. The music wasn't always what Ty was exactly interested in, but he listened to please his grandfather. ...Accidentally he found out that reading was allowed while listening to great music. His grandparents had read to him regularly and insisted that Ty read some of the classics.
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It was about three miles by bird travel to the gate opening into home pasture. That was where Old Fooler was headed. He was still bucking, and I could see those stirrups clanging together over his back. Then he disappeared over the rise and there wasn't a thing to keep me company but one little white cloud about a thousand miles off over the northern mountains. I saw that cloud when I looked up at the sky and asked the Lord to please not let me kill myself and to give me the wings of an angel so I could fly after that horse and break his ...dam neck.
He was always grinding on forward... Grinder... observed Bluefeather through slit, knowing eyes. The quality he looked for was definitely there. It... was obvious in the alert, almost regal, manner he carried his head and the way he climbed the Taos mountains with a long-stepped, but smooth, attacking stride. ...Bluefeather Fellini was from the people of yearning. Whenever one walks or rides with yearners, the world becomes generous with great gifts of almost ceaseless adventure—and makes one pay terrible prices for the ultimate joys. Grinder knew this... for he was a grinder himself.
One from the Heart for... My wife Pat, my number one critic, who also suffered safely through all those long decades of my taking notes, thinking and figuring on Bluefeather Fellini, and then the five and a half years of actually writing it down. ...Also, much appreciation for the painting you created for the cover.