Kiowa author and academic (1934–2024)
N. Scott Momaday (February 27, 1934 – January 24, 2024) was a Kiowa novelist, short story writer, essayist and poet. His novel House Made of Dawn was awarded the Pulitzer Prize for Fiction in 1969, and is considered the first major work of the Native American Renaissance. His follow-up work The Way to Rainy Mountain blended folklore with memoir. Momaday received the National Medal of Arts in 2007 for his work's celebration and preservation of indigenous oral and art traditions. He held twenty honorary degrees from colleges and universities and was a fellow of the American Academy of Arts and Sciences.
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I have walked in a mountain meadow bright with Indian paintbrush, lupine, and wild buckwheat, and I have seen high in the branches of a lodgepole pine the male pine grosbeak, round and rose-colored, its dark, striped wings nearly invisible in the soft, mottled light. And the uppermost branches of the tree seemed very slowly to ride across the blue sky.
La tierra del Encanto
Clouds build on the northern ridge
Where the shades of night grow pale
And there comes a rain like smoke.
The mountains loom and recede. And
Below, the umber plain is a pitted hide.
There the distance of time runs out.
And the mind extends beyond itself.
I have seen in the twist of wind
The landscape severed and heard
The edged cries of streaming hawks
First light is a tapestry on canyon walls,
And shadows are pools of illusions.
I am a man of the ancient earth
For I have know the desert at dawn
At first she thought the writing would be easy. She was extremely confident in her ability to dream, to imagine, and she supposed that expressing her dreams in words, in writing, would be entirely natural, like drawing breath. She had read widely from the time she was a child, and she knew how to recognize something that was well written. She admired certain lines and passages so much that she had taken complete possession of them and committed them to memory. She could recite “The Gettysburg Address” and “The Twenty-Third Psalm.” She could recite “Jabberwocky” and Emily Dickinson’s “Further in summer that the birds” and Wallace Stevens’s “Sunday Morning.” She knew by heart the final paragraph of Joyce’s “The Dead,” and if challenged she could say in whole the parts of both Romeo and Juliet. And she knew many Kiowa stories and many long prayers in Navajo. These were not feats of memory in the ordinary sense; it was simply that she attended to these things so closely that they became a part of her most personal experience. She had assumed them, appropriated them to her being.
But to write! She discovered that was something else again.
Mammedaty was my grandfather, whom I never knew. Yet he came to be imagined posthumously... having invested the shadow of his presence in an object or a word, in his name above all. He enters into my dreams... His grandfather Guipagho the Elder was a famous chief. His mother... was the daughter of Kau-au-ointy... There was a considerable vitality in him... and a self-respect that verged upon arrogance.
The aged visitors who came to my grandmother's house when I was a child were made of lean and leather, and bore themselves upright. They wore great black hats and bright ample shirts that shook in the wind. They rubbed fat upon their hair and wound their braids with stripes of colored cloth. ...They were an old council of warlords, come to remind and be reminded of who they were.
The sun cast a golden light upon the adobe walls and the cornfields; it set fire to the leaves of willows and cottonwoods along the river; and a fresh cold wind ran down from the canyons and carried the good scents of pine and cedar smoke, of bread baking in the beehive ovens, and of rain in the mountains.
Yahweh to Urset
I pray that you are kept safe throughout this day, that
you live as wholly as you can, that you see things that
you have not seen before and that more of them are
beautiful than not, more of them delightful than not.
I pray that you hold easily in your hands the balance
of the earth and sky, that you laugh and cry, know
freedom and restraint, some joy and some sorrow,
pleasure and pain, much of life and a little of death.
I pray that you are grateful for the gift of your being,
and I pray that you celebrate your life in the proper
way, with grace and humility, wonder and contentment,
in the strong, deep current of your spirit’s voice. I pray
that you are happily in love with the dawn and that you
are more deeply in love in the dusk.
In the dense growth of the bottomland a dark drift moves on the . A spider enters a small pool of light on Rainy Mountain Creek, and downstream, at the convergence, a Channel catfish turns around in the current and slithers to the surface, where a dragonfly hovers and darts. Away on the high ground grasshoppers and bees set up a crackle and roar in the fields, and the s and scissortails whistle and wheel about. Somewhere in the maze of gullies a calf shivers and balls in a tangle of chinaberry trees. And high in the distance a hawk turns in the sun and sails.
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