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In Response to a Question:
”What Does the Earth Say?”
The earth says have a place, be what that place
requires; hear the sound the birds imply
and see as deep as ridges go behind
each other. (Some people call their scenery flat,
their only pictures framed by what they know:
I think around them rise a riches and a loss
too equal for their chart - but absolutely tall.)
The earth says every summer have a ranch
that’s minimum: one tree, one well, a landscape
that proclaims a universe - sermon
of the hills, hallelujah mountain,
highway guided by the way the world is tilted,
reduplication of mirage, flat evening:
a kind of ritual for the wavering.
The earth says where you live wear the kind
of color that your life is (grey shirt for me)
and by listening with the same bowed head that sings
draw all things into one song, join
the sparrow on the lawn, and row that easy
way, the rage without met by the wings
within that guide you anywhere the wind blows.
Listening, I think that’s what the earth says.
"The Gift
Time wants to show you a different country. It's the one
that your life conceals, the one waiting outside
when curtains are drawn, the one Grandmother hinted at
in her crochet design, the one almost found
over at the edge of the music, after the sermon.
It's the way life is, and you have it, a few years given.
You get killed now and then, violated
in various ways. (And sometimes it's turn about.)
You get tired of that. Long-suffering, you wait
and pray, and maybe good things come-maybe
the hurt slackens and you hardly feel it any more.
You have a breath without pain. It is called happiness.
It's a balance, the taking and passing along,
the composting of where you've been and how people
and weather treated you. It's a country where
you already are, bringing where you have been.
Time offers this gift in its millions of ways,
turning the world, moving the air, calling,
every morning, "Here, take it, it's yours.
"Living on the Plains”
That winter when this thought came-how the river
held still every midnight and flowed
backward a minute-we studied algebra
late in our room fixed up in the barn,
and I would feel the curved relation,
the rafters upside down, and the cows in their life
holding the earth round and ready
to meet itself again when morning came.
At breakfast while my mother stirred the cereal
she said, "You're studying too hard,"
and I would include her face and hands in my glance
and then look past my father's gaze as
he told again our great race through the stars
and how the world can't keep up with our dreams."
An Afternoon in the Stacks
Closing the book, I find I have left my head
inside. It is dark in here, but the chapters open
their beautiful spaces and give a rustling sound,
words adjusting themselves to their meaning.
Long passages open at successive pages. An echo,
continuous from the title onward, hums
behind me. From in here the world looms,
a jungle redeemed by these linked sentences
carved out when an author traveled and a reader
kept the way open. When this book ends
I will pull it inside-out like a sock
and throw it back in the library. But the rumor
of it will haunt all that follows in my life.
A candleflame in Tibet leans when I move.
"Scars"
They tell how it was, and how time
came along, and how it happened
again and again. They tell
the slant life takes when it turns
and slashes your face as a friend.
Any wound is real. In church
a woman lets the sun find
her cheek, and we see the lesson:
there are years in that book; there are sorrows
a choir can't reach when they sing.
Rows of children lift their faces of promise,
places where the scars will be.
William Stafford, Americans’ Favorite Poems edited by Maggie Dietz and Robert Pinsky (W. W. Norton & Company; 1st edition, November 1, 1999)
Lines to Stop Talking By
In your city today outside my room
Some quiet animal or only the rain
At its patient task was opening the wall
By touching it, and whatever was there
Spread outward a bit at a time toward the horizon
Cresting ahead and breaking, the way
All through your life whatever is near extends
When you think. In your city today
I thought of Never, hiding inside
An iceberg floating south rinsed by the days
Till that great blind ice blinks open in the center.
I heard an ambulance carry its banner away
In the rain in your city. And I thought of
My poems- how they are always there
Waiting to try for that circumference
It takes all of us to find.