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"A Walk in the Country"

To walk anywhere in the world, to live
now, to speak, to breathe a harmless
breath: what snowflake, even, may try
today so calm a life,
so mild a death?

Out in the country once,
walking the hollow night,
I felt a burden of silver come:
my back had caught moonlight
pouring through the trees like money.

That walk was late, though.
Late, I gently came into town,
and a terrible thing had happened:
the world, wide, unbearably bright,
had leaped on me. I carried mountains.

Though there was much I knew, though
kind people turned away,
I walked there ashamed — into that still picture
to bring my fear and pain.

By dawn I felt all right;
my hair was covered with dew;
the light was bearable; the air
came still and cool.
And God had come back there
to carry the world again.

Since then, while over the world
the wind appeals events,
and people contend like fools,
like a stubborn tumbleweed I hold,
hold where I live, and look into every face:

Oh friends, where can one find a partner
for the long dance over the fields?

This monument is for the unknown good in our enemies. Like a picture their life began to appear: they gathered at home in the evening and sang. Above their fields they saw a new sky. A holiday came and they carried the baby to the park for a party. Sunlight surrounded them. Here we glimpse what our minds long turned away from. The great mutual blindness darkened that sunlight in the park, and the sky that was new, and the holidays. This monument says that one afternoon we stood here letting a part of our minds escape. They came back, but different. Enemy: one day we glimpsed your life. This monument is for you.

"The Dream Of Now"

When you wake to the dream of now
from night and its other dream,
you carry day out of the dark
like a flame.
When spring comes north and flowers
unfold from earth and its even sleep,
you lift summer on with your breath
lest it be lost ever so deep.
Your life you live by the light you find
and follow it on as well as you can,
carrying through darkness wherever you go
your one little fire that will start again.

"Living on the Plains”

That winter when this thought came-how the river
held still every midnight and flowed
backward a minute-we studied algebra
late in our room fixed up in the barn,
and I would feel the curved relation,
the rafters upside down, and the cows in their life
holding the earth round and ready
to meet itself again when morning came.

At breakfast while my mother stirred the cereal
she said, "You're studying too hard,"
and I would include her face and hands in my glance
and then look past my father's gaze as
he told again our great race through the stars
and how the world can't keep up with our dreams."

"With Kit, Age Seven, at the Beach

We would climb the highest dune,
from there to gaze and come down:
the ocean was performing;
we contributed our climb.

Waves leapfrogged and came
straight out of the storm.
What should our gaze mean?
Kit waited for me to decide.

Standing on such a hill,
what would you tell your child?
That was an absolute vista.
Those waves raced far, and cold.

"How far could you swim, Daddy, in such a storm?"
"As far as was needed," I said,
and as I talked, I swam."

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Now I carry those days in a tiny box
wherever I go. I open the lid like this
and let the light glimpse and then glance away.
There is a sigh like my breath when I do this.
Some days I do this again and again. — William Stafford, from “Remembering,” The Darkness Around Us Is Deep: Selected Poems, ed. Robert Bly (HarperPerennial, 1993)

"Scars"

They tell how it was, and how time
came along, and how it happened
again and again. They tell
the slant life takes when it turns
and slashes your face as a friend.

Any wound is real. In church
a woman lets the sun find
her cheek, and we see the lesson:
there are years in that book; there are sorrows
a choir can't reach when they sing.

Rows of children lift their faces of promise,
places where the scars will be.

William Stafford, Americans’ Favorite Poems edited by Maggie Dietz and Robert Pinsky (W. W. Norton & Company; 1st edition, November 1, 1999)

After Arguing Against The Contention That Art Must Come From Discontent

Whispering to each handhold, “I'll be back,”
I go up the cliff in the dark. One place
I loosen a rock and listen a long time
till it hits, faint in the gulf, but the rush
of the torrent almost drowns it out, and the wind — I almost forgot the wind: it tears at your side
or it waits and then buffets; you sag outward. . . .

I remember they said it would be hard. I scramble
by luck into a little pocket out of
the wind and begin to beat on the stones
with my scratched numb hands, rocking back and forth
in silent laughter there in the dark — “Made it again!” Oh how I love this climb! — the whispering to stones, the drag, the weight
as your muscles crack and ease on, working
right. They are back there, discontent,
waiting to be driven forth. I pound
on the earth, riding the earth past the stars:
“Made it again! Made it again!

Lorene — we thought she’d come home. But it got late, and then days. Now it has been years. Why shouldn’t she, if she wanted? I would: something comes along, a sunny day, you start walking; you meet a person who says, “Follow me,” and things lead on. Usually, it wouldn’t happen, but sometimes the neighbors notice your car is gone, the patch of oil in the driveway, and it fades. They forget. In the Bible it happened — fishermen, Levites. They just went away and kept going. Thomas, away off in India, never came back. But Lorene — it was a stranger maybe, and he said, “Your life, I need it.” And nobody else did.

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Glances

Two people meet. The sky turns winter,
quells whatever they would say.
Then, a periphery glance into danger -
and an avalanche already on its way.

They have been honest all their lives;
careful, calm, never in haste;
they didn't know what it is to meet.
Now they have met: the world is waste.

They find they are riding an avalanche
feeling at rest, all danger gone.
The present looks out of their eyes; they stand
calm and still on a speeding stone.

Any Morning’

Just lying on the couch and being happy.
Only humming a little, the quiet sound in the head.
Trouble is busy elsewhere at the moment, it has
so much to do in the world.

People who might judge are mostly asleep; they can’t
monitor you all the time, and sometimes they forget.
When dawn flows over the hedge you can
get up and act busy.

Little corners like this, pieces of Heaven
left lying around, can be picked up and saved.
People won’t even see that you have them,
they are so light and easy to hide.

Later in the day you can act like the others.
You can shake your head. You can frown.