American writer of Western fiction
Max Evans (August 29, 1925) is the native author, writer, and film director upon which the Slim Randles book, Ol' Max Evans: The First Thousand Years, and the 2018 documentary film of the same title are based. The 1998 film and the 1965 film The Rounders were based upon two of his many books.
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Several times, Emilio had taken Ty to the mountains to fish for trout. ...The gurgling, forever-twisting little snowmelts coursing, playing, singing over millions of differently shaped stones deeply fascinated a young man from the dry, flat plains of Lea County. It was a gift of beauty sparkling in the sunlight to out glimmer all the diamonds in the world. ...He would have wagered on it. Emilio had introduced him to a ceaseless wonder. ...and the fishing was almost as exciting. He could never stop marveling that these small streams could be home to foot-long brown and rainbow trout.
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As beginning buddies do, Ty had casually mentioned that he'd overheard his grandfather saying to his grandmother, "That Ty is always running for the far horizon, but it keeps moving ahead of him," and Martha had answered as always in his favor, "Yes he is. And someday he'll catch it, and it'll be downhill from then on."
Jiggs loved playing his old Victrola in the early evening and often asked Ty to sit with him and listen. The music wasn't always what Ty was exactly interested in, but he listened to please his grandfather. ...Accidentally he found out that reading was allowed while listening to great music. His grandparents had read to him regularly and insisted that Ty read some of the classics.
The beast of war belches and passes almost endless odors. There is the acrid smell of freshly detonated gunpowder and burnt steel. There is the sweet scent of newly freed blood misting above the dead, dying, and mutilated bodies, little red streams forming pools that begin to turn brownish as they seep into the bruised earth. There is a special combined smell when a shell penetrates, explodes, and sets fire to a tank—a mixture of steel, powder, human flesh, bone, and blood, gasoline and oil, clothing, and stained and torn family photos.
There is the unforgettable stench of bodies long past the first discovery of flies. This is a forever odor. So is the scent of villages, towns, and cities burning.
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I left the heart of the Hi-Lo country, and went to Taos. I bought some sub-irrigated land and a house and moved there amongst the founders and old masters of the famed art colony. I also obtained my first Taos horse, Brownie. ...for the thiry dollars I paid Horse Thief Shorty for him, he turned out to be quite a buy. ...Brownie was pretty darn good at everyting, outstanding at none, but a loyal friend all the way. A partner. ...I rank him pretty high for that priceless underrated loyalty. ...I would ride him for pure pleasure. We would move across the great sagebrush desert on top of the west mesa where the Indians held their annual, ancient horseback rabbit hunt.
I was having more trouble putting a rein, a stop, and instilling "rope and cow sense" in this horse than ever before. ...She literally loved and lived to run after the dogs as they ran down one of the smartest creatures ever born. She must have had the ancient genes of some great general's best war horse for she had a true blood lust. Molly loved to watch the dogs' fangs still a freshly caught coyote.
When I was still a teenager, I acquired a small, well-watered (with springs) ranch in northeastern New Mexico. It was located fourteen miles east of the village of Des Moines—which I would later call "Hi-Lo" in my many writings and a major film. ...In those poor struggling days, coyote hides would bring from five to fifteen dollars—a ton of money at the time.
On Glorietta Mesa south of Santa Fe, I went to work on a cow ranch about three months before my twelfth birthday. Almost everyone—in this time and place—was so poor that it was a common practice for ranchers to loan themselves and/or their hired hands out to help each other—especially with big jobs like branding and roundups, and even fence building. It made survival possible.
THE HORSE (and the mule—which is half horse) had given more to mankind than all the rocket scientists, presidents (all forms), dictators and financial geniuses with all their billions of dollars combined. The horse's hold on mankind, joining in all human glories and foibles, could actually fill many great libraries.
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I was amazed to discover my award-winning racehorse story, "Showdown at Hollywood Park," was a short sequel to the famed "Seabiscuit" story.
Also I had two more, over 90 percent true, stories that I slightly fictionalized... "My Pardner" was one of these. ...... loved "My Pardner." He optioned it many times over. ...I traded him "My Pardner" for so I could get a Martin Scorsese, ' film made. ...This book brought about the very last conversation I ever had with Peckinpah—two weeks before his untimely death. He was on his way to ... and pressed for time, but promised that on his return he would sign all film rights for "My Pardner" back to me. But... he died, and it never happened.
Silver City Millie contains sordid details and frank language that will make many readers blush, but before her bawdy, drunken life is condemned, readers must become aware of the full context of prostitution in the American West. It was like motherhood and apple pie. It was expected, condoned, appreciated, and segregated. ...The ratio of men to women in the frontier West was frequently seven to one.
The story of Silver City Millie is the story of one woman's personal tragedies and triumphs as an orphan, a Harvey Girl waitress on the Santa Fe railroad, a prostitute with innumerable paramours, and a highly successful bordello businesswoman. Millie broke the mold in so many ways, and yet her life story of survival was not unlike that of thousands of women who went West...