Americans divide Indians into two categories: the noble savage and the howling savage. The noble savage is seen as the appealing but doomed victim of… - Paula Gunn Allen

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Americans divide Indians into two categories: the noble savage and the howling savage. The noble savage is seen as the appealing but doomed victim of the inevitable evolution of humanity from primitive to postindustrial social orders. The American belief in progress and evolution makes this a particularly difficult idea to dislodge, even though it is a root cause of the genocide practiced against American Indians since the colonial period. This attitude, which I characterize as the Progressive Fallacy, allows American Indians victim status only. And while its adherents suffer some anguish when encountering the brutal facts of exterminationist policies, they inevitably shrug resignedly and say—quite directly—that Indians have to assimilate or perish. So while the Progressives allow the noble savage to be the guardian of the wilds and on occasion the conscience of ecological responsibility, the end result of their view for Indians is the same as its counterpart view of American Indians as howling denizens of a terrifying wilderness.

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About Paula Gunn Allen

Paula Gunn Allen (October 24, 1939 – May 29, 2008) was an American poet, literary critic, activist, professor, and novelist. Of mixed-race European-American, Native American, and Arab-American descent, she identified with her mother's people, the Laguna Pueblo and childhood years. She drew from its oral traditions for her fiction poetry and also wrote numerous essays on its themes. She edited four collections of Native American traditional stories and contemporary works and wrote two biographies of Native American women. In addition to her literary work, in 1986 she published a major study on the role of women in American Indian traditions, arguing that Europeans had de-emphasized the role of women in their accounts of native life because of their own patriarchal societies. It stimulated other scholarly work by feminist and Native American writers.

Also Known As

Alternative Names: Paula Marie Francis

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Additional quotes by Paula Gunn Allen

The whole body of American Indian literature, from its traditional, ceremonial aspects to its formal literary aspects, forms a field, or, we might say, a hoop dance, and as such is a dynamic, vital whole whose different expressions refer to a tradition that is unified and coherent on its own terms. It is a literary tradition that is breathtaking in its aesthetic realization and fundamental to coherent understanding of non-Indian varieties of American literature.

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