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" "I have noticed that people have begun referring to Christopher Reeve as a hero. I do not wish to take away one iota of the courage he must have needed not to wake up screaming every single day, but the hard truth is there was nothing heroic in what happened to him or how he dealt with it...In fact, as far as how he dealt with it he didn’t even have a choice. We could imagine he spent every hour of every day when not in front of the cameras begging family members to simply kill him and get it over with—but none of them did so he had no choice but to deal with each day as it came.* Heroism I believe involves choice. <nowiki>*</nowiki>Not in any way suggesting this is what was happening, just in case there are those who are paralyzed from the neck up who might be reading these words... (2004) —Comments four days after the actor’s death
John Lindley Byrne (born July 6, 1950) is a British-born naturalised American author and artist of comic books. Since the mid-1970s Byrne has worked on nearly every major American superhero. His most famous works have been on Marvel Comics’ X-Men and Fantastic Four and the 1986 relaunch of DC Comics’ Superman franchise.
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Being an immigrant myself, I have something of an insight, I think, into the way Clark’s mind works. I was born in England, and I am proud of my English heritage (I was also quite a lot older than Kal-El when I left “home,” so my connections would be stronger) but I grew up in Canada and I have lived for the last 25 years in the US, and I don’t ever—ever—feel like a “displaced Englishman.” Clark would be proud, too, of his Kryptonian heritage, but later portrayals of him have tried to shoehorn in too much of the pychobabble of adopted children longing for and seeking out their biological parents. Excuse my French, but to me, they fall under the heading of “ungrateful little sh*ts.” Clark grew up as human, thinks as a human, reacts as a human. He lives and loves as a human. And that is what really defines him. (2005)
There had been fan clubs before. The Merry Marvel Marching Society shamelessly stole its name from the Mary Marvel Marching Society. I was, myself, a member of the Supermen of America. What was key to these, tho, was that the fans who belonged were not truly interconnected. There was a sense of being part of a greater whole, but the hobby itself remained largely solitary. Which, the history of the industry seems to teach, was a good thing. (2007)
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Pedophiles are almost certainly "born that way". Again, we go to evolutionary conditioning. Seek the youngest, strongest, most healthy, for breeding purposes. A sure (or as sure as it gets) way to guarantee the survival of your genes. Pedophilia also brings along a big heaping helping of learned responses, however. In a society like ours, where "normal" sex is considered by many to be filthy and disgusting, "abnormal" sex is of course even moreso. "Abnormal" in this case meaning anything—even simple physical attraction—that is not "age-appropriate", heterosexual, and strictly for procreation. Preferably missionary position. Thus, any confused individual who finds himself attracted to young girls is likely to find himself attracted to increasingly younger girls, as part of his pattern of self-loathing. So much emotional torment—in victims and victimizers—would surely be set aside if our society was sexually liberated enough to even be able to say "Sure, it's okay to be attracted to eleven year olds. Just don't do anything about it!" (2010)