The door was now becoming red-hot, lighting up the legs of both of them with a violet gleam. But neither felt the scorching heat in the current of ic… - Émile Zola

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The door was now becoming red-hot, lighting up the legs of both of them with a violet gleam. But neither felt the scorching heat in the current of icy air that enveloped them. The fireman, at a sign from his chief, had just raised the rod of the ash-pan which added to the draught. The hand of the manometer at present marked ten atmospheres, and La Lison was exerting all the power it possessed. At one moment, perceiving the water in the steam-gauge sink, the driver had to turn the injection-cock, although by doing so he diminished the pressure. Nevertheless, it rose again, the engine snorted and spat like an animal over-ridden, making jumps and efforts fit to convey the idea that it would suddenly crack some of its component pieces. And he treated La Lison roughly, like a woman who has grown old and lost her strength, ceasing to feel the same tenderness for it as formerly.

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About Émile Zola

Émile Édouard Charles Antoine Zola (2 April 1840 – 29 September 1902) was a French novelist, playwright, journalist, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism.

Biography information from Wikiquote

Also Known As

Alternative Names: Émile Édouard Charles Antoine Zola
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There Albine lay, panting, exhausted by love, her hands clutched closer and closer to her heart, breathing her last. She parted her lips, seeking the kiss which should obliterate her, and then the hyacinths and tuberoses exhaled their incense, wrapping her in a final sigh, so profound that it drowned the chorus of roses, and in this culminating gasp of blossom, Albine was dead.

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Je n'ai guère de souci de beauté ni de perfection... Je n'ai souci que de vie, de lutte, de fièvre.

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