شادی در دلمان با درد آمیخته است ـ - Hermann Hesse

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شادی در دلمان با درد آمیخته است ـ

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About Hermann Hesse

Hermann Karl Hesse (2 July 1877 – 9 August 1962) was a German-Swiss poet, novelist, and painter. In 1946, he received the Nobel Prize in Literature. His most famous works include Steppenwolf, Siddhartha, and The Glass Bead Game (also known as Magister Ludi) all of which explore an individual's search for spirituality.

Biography information from Wikiquote

Also Known As

Native Name: Hermann Karl Hesse
Alternative Names: Hh. Hesse
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Additional quotes by Hermann Hesse

For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

Our Journey to the East and our League, the basis of our community, has been the most important thing, indeed the only important thing in my life, compared with which my own individual life has appeared completely unimportant. And now that I want to hold fast to and describe this most important thing, or at least something of it, everything is only a mass of separate fragmentary pictures which has been reflected in something, and this something is myself, and this self, this mirror, whenever I have gazed into it, has proved to be nothing but the upper- most surface of a glass plane. I put my pen away with the sincere intention and hope of continuing tomorrow or some other time, or rather to begin anew, but at the back of my intention and hope, at the back of my really tremendous urge to relate our story, there remains a dreadful doubt. It is the doubt that arose during the search for Leo in the valley of Morbio. This doubt does not only ask the question, “ Is your story capable of being told ? ” It also asks the question, “ Was it possible to experience it ? ” We recall examples of participants in the World War who, although by no means short of facts and attested stories, must at times have entertained the same doubts. p. 40

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