[T]he present generation is too frightened by the magnitude of time and space revealed by geology and astronomy, and has been so conditioned by four … - Nikolai Fyodorovich Fyodorov

The learned, who have fragmented science into a multiplicity of branches, imagine that the calamities that strike and oppress us are within the competence of specialised disciplines to control, whereas in fact they constitute a single problem common to all of us, namely the lack of kinship relations between a blind force and rational beings. This blind force makes no demand on us other than to endow it with what it lacks: rational direction, or regulation. Yet no regulation is possible owing to our disunity, and our disunity persists because there is no common task to unite men. Regulation, the control of the blind force of nature, can and must become the great task common to us all.

The principle of disunion and inactivity informs all three Critiques. The philosophy of art which he embodies in his Critique of Judgement does not teach how to create, but only how to judge the aesthetic aspects of works of art and of nature. It is a philosophy for art critics, not for artists and poets. In the Critique of Judgement, nature is regarded not as an object to be acted upon and transformed from a blind force into one governed by reason, but merely as an object of contemplation to be judged on its aesthetic merits; not from the point of view of morality, which would recognise it as destructive and death-bearing...

Negative virginity is not yet a celestial virtue; chastity is not yet active wisdom; not to beget is not yet liberation from death — resurrection. It is essential that unconscious procreation be replaced by the task of resuscitation.