The desecration at Mehrauli was probably the first perpetrated by Muhammad Ghauri. It is situated next to the famous Qutb Minar. The masjid was named… - Praful Goradia

Cunningham called it a masjid which was made up of Hindu materials. It is difficult to agree with Cunningham. The author feels that a Hindu building was converted into a masjid and not made up or rebuilt with Hindu materials. If it had been rebuilt, its Muslim builder would have excluded the inscription of Raja Ajaya as well as all the statuettes on the pillars and walls. The fact that they have been mutilated is a clear indication that the then existing Hindu edifice was quickly converted into a masjid. Apart from the factor of quickness, there must have been the lack of readily available architects and artisans familiar with Islamic architecture. Hence, a great deal of the early Muslim buildings in Hindustan were conversions of Hindu temples. A distinctly Islamic style did not emerge until about the advent of the Lodis in the course of the 15th century.

The author prefers to quote either British authorities or Muslim chroniclers so that neither authenticity nor objectivity is questioned. However, before moving on to the next monument, he wishes to iterate that additions and alterations of such historic edifices are still taking place. He was quite put off by the white-washing, however fresh or glistening, that had been done on the granite pillars and ceiling of the Jama masjid. The Makhdum Jahaniya fortunately has not suffered this ugly transformation. On the other hand, the Jami masjid at Etawah, only about a hundred kilometres away, which we visited the previous day, was a lso a casualty of whitewashing. What should be the role of the Archaeological Survey is best answered by its directors and, perhaps, the Ministry of Culture.

A visit to Vidisha and interaction with the man in the street, would reflect that there is a lingering, although suppressed, but bitter resentment against the government treatment of what they believe to be their dearest treasure, architectural as well as sentimental. The moral of a pilgrimage to Vidisha is that no purpose would be served by hushing up what is naked history.