At a certain point I came to the conclusion that one of the murderous aspects of the AIDS crisis was that people were used to not talking about sexua… - Samuel R. Delany

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At a certain point I came to the conclusion that one of the murderous aspects of the AIDS crisis was that people were used to not talking about sexual experiences in detail. Gay sex for instance does not cause AIDS. There are certain acts that transmit a virus and there are certain other acts that don’t transmit a virus. If you don’t talk about what goes on in sexuality, so that you know what particular acts you’re dealing with, then I think you're, possibly in an indirect way but never-the-less in a very real way, contributing to an atmosphere of ignorance which the result is people die.

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About Samuel R. Delany

Samuel Ray Delany Jr. (born 1 April 1942) is an award-winning science fiction author. He has written works that have garnered substantial critical acclaim, including the novels Nova, The Einstein Intersection, Hogg, and Dhalgren. He is a professor of Comparative Literature and Creative Writing at Temple University, and is also known in the academic world as a literary critic.

Also Known As

Alternative Names: Samuel Ray Delany, Jr. Samuel Ray Delany Chip Delany Samuel Ray "Chip" Delany, Jr. K. Leslie Steiner S. L. Kermit
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Additional quotes by Samuel R. Delany

He sat cross-legged in the crumpled, body-warmed bedding, now, and looked at her beside him until his eyes ached with keeping his lids up, looking not to miss the beauty of her breathing, the faint flare of her nostrils, the rise of her chest, the movement of her skin a millimetre back and forth across her collarbone as she breathed. His eyes, flooded with her gloriousness, filled with tears. He had to blink and look away.

What are you doing here?" I asked at last.
"Probably the same thing you are."
"What's that?"
She looked serious. "Why don't you tell me?"
I went back to my knife. "Sharpening my machete."
"I'm sharpening my mind," she said. "There is something to be done that will require an edge on both.

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…There's often a literal side to SF [science fiction] language. There are many strings of words that can appear both in an SF text and in an ordinary text of naturalistic fiction. But when they appear in a naturalistic text we interpret them one way, and when they appear in an SF text we interpret them another. Let me illustrate this by some examples I've used many times before. The phrase "her world exploded" in a naturalistic text will be a metaphor for a female character's emotional state; but in an SF text, if you had the same words— "her world exploded"—you'd have to maintain the possibility that they meant: a planet belonging to a woman blew up…

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