Resolve, he thought. That was all it took, and no motherless gal was going to break it up. No lazy, stray pup of a woman could turn him around, make … - Toni Morrison

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Resolve, he thought. That was all it took, and no motherless gal was going to break it up. No lazy, stray pup of a woman could turn him around, make him doubt himself, wonder, plead or confess. Convinced of it, that he could do it, he threw his arm around Sethe's shoulders and squeezed. She let her head touch his chest, and since the moment was valuable to both of them, they stopped and stood that way — not breathing, not even caring if a passerby passed them by. The winter light was low. Sethe closed her eyes. Paul D looked at the black trees lining the roadside, their defending arms raised against attack. Softly, suddenly, it began to snow, like a present come down from the sky. Sethe opened her eyes to it and said. "Mercy." And it seemed to Paul D that it was — a little mercy — something given to them on purpose to mark what they were feeling so they would remember it later on when they needed to.

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About Toni Morrison

Chloe Anthony Wofford Morrison (born Chloe Ardelia Wofford February 18, 1931 – August 5, 2019), known as Toni Morrison, was an American novelist, essayist, book editor, and college professor, who received a Pulitzer Prize in 1988 and the Nobel Prize in Literature in 1993.

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Also Known As

Birth Name: Chloe Ardelia Wofford
Alternative Names: Chloe Anthony Wofford Chloe Anthony Wofford Morrison Chloe Anthony Wofford-Morrison
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Of course I'm a black writer.... I'm not just a black writer, but categories like black writer, woman writer and Latin American writer aren't marginal anymore. We have to acknowledge that the thing we call "literature" is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hassidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.

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In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.

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