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" "(JB: Certain anthropologists, such as Elsie Clew Parsons, have "written off" Laguna, saying it no longer has a kiva, it's no longer really a Pueblo. Parsons comes close to saying it's not even Indian. How do you respond to that point of view?) ALLEN: I usually laugh because it's such a limited point of view. But then I say, "Okay, why are people always looking further back?" They've got to find a utopia-the perfect place-and Indians always fail them. Indians are always not quite something or other, whatever the something or other is that they want. People will come up to you and say, "There aren't any Indians anymore. You know, Indians put Pampers on their babies! They watch T. V.!" And all of this means that Indians are not Indian to the white world which loves Indians and is looking for the lost noble savage or something like that. I will say Parsons's work in itself indicates that they were so thoroughly primitive, so thoroughly wilderness people, that how she could write them off simply astonishes me.
Paula Gunn Allen (October 24, 1939 – May 29, 2008) was an American poet, literary critic, activist, professor, and novelist. Of mixed-race European-American, Native American, and Arab-American descent, she identified with her mother's people, the Laguna Pueblo and childhood years. She drew from its oral traditions for her fiction poetry and also wrote numerous essays on its themes. She edited four collections of Native American traditional stories and contemporary works and wrote two biographies of Native American women. In addition to her literary work, in 1986 she published a major study on the role of women in American Indian traditions, arguing that Europeans had de-emphasized the role of women in their accounts of native life because of their own patriarchal societies. It stimulated other scholarly work by feminist and Native American writers.
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My ideas of womanhood, passed on largely by my mother and grandmothers, Laguna Pueblo women, are about practicality, strength, reasonableness, intelligence, wit, and competence. I also remember vividly the women who came to my father’s store, the women who held me and sang to me, the women at Feast Day, at Grab Days, the women in the kitchen of my Cubero home, the women I grew up with; none of them appeared weak or helpless, none of them presented herself tentatively. I remember a certain reserve on those lovely brown faces; I remember the direct gaze of eyes framed by bright-colored shawls draped over their heads and cascading down their backs. I remember the clean cotton dresses and carefully pressed hand-embroidered aprons they always wore; I remember laughter and good food, especially the sweet bread and the oven bread they gave us. Nowhere in my mind is there a foolish woman, a dumb woman, a vain woman, or a plastic woman, though the Indian women I have known have shown a wide range of personal style and demeanor.
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Reconciling the opposites of life and death, of celebration and grief, of laughter and rage is no simple task, yet it is one worthy of our best understanding and our best effort. If, in all these centuries of death, we have continued to endure, we must celebrate that fact and the fact of our vitality in the face of what seemed, to many, inevitable extinction. For however painful and futile our struggle becomes, we have but to look outside at the birds, the deer, and the seasons to understand that change does not mean destruction, that life, however painful and even elusive it is at times, contains much joy and hilarity, pleasure and beauty for those who live within its requirements with grace.