The small are always dependent on the great; they are “small” precisely because they think they are independent. The great thinker is one who can hea… - Martin Heidegger

This is precisely what is decisive in Nietzsche’s conception of art, that he sees it in its essential entirety in terms of the artist; this he does consciously and in explicit opposition to that conception of art which represents it in terms of those who “enjoy” and “experience” it.
That is a guiding principle of Nietzsche’s teaching on art: art must be grasped in terms of creators and producers, not recipients. Nietzsche expresses it unequivocally in the following words (WM, 811): “Our aesthetics heretofore has been a woman’s aesthetics, inasmuch as only the recipients of art have formulated their experiences of ‘what is beautiful.’ In all philosophy to date the artist is missing.” Philosophy of art means “aesthetics” for Nietzsche too—but masculine aesthetics, not feminine aesthetics. The question of art is the question of the artist as the productive, creative one; his experiences of what is beautiful must provide the standard.

To stamp becoming with the character of being—that is the supreme will to power." (WM 617) This suggests that becoming only is if it is grounded in being as being: "That everything recurs is the closest approximation of a world of becoming to one of being.

We ourselves are the entities to be analyzed