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The oral tradition is vital; it heals itself and the tribal web by adapting to the flow of the present while never relinquishing its connection to th… - Paula Gunn Allen
" "The oral tradition is vital; it heals itself and the tribal web by adapting to the flow of the present while never relinquishing its connection to the past. Its adaptability has always been required, as many generations have experienced. Certainly the modern American Indian woman bears slight resemblance to her forebears—at least on superficial examination—but she is still a tribal woman in her deepest being. Her tribal sense of relationship to all that is continues to flourish. And though she is at times beset by her knowledge of the enormous gap between the life she lives and the life she was raised to live, and while she adapts her mind and being to the circumstances of her present life, she does so in tribal ways, mending the tears in the web of being from which she takes her existence as she goes.
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About Paula Gunn Allen
Paula Gunn Allen (October 24, 1939 – May 29, 2008) was an American poet, literary critic, activist, professor, and novelist. Of mixed-race European-American, Native American, and Arab-American descent, she identified with her mother's people, the Laguna Pueblo and childhood years. She drew from its oral traditions for her fiction poetry and also wrote numerous essays on its themes. She edited four collections of Native American traditional stories and contemporary works and wrote two biographies of Native American women. In addition to her literary work, in 1986 she published a major study on the role of women in American Indian traditions, arguing that Europeans had de-emphasized the role of women in their accounts of native life because of their own patriarchal societies. It stimulated other scholarly work by feminist and Native American writers.
Also Known As
Alternative Names:
Paula Marie Francis
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Additional quotes by Paula Gunn Allen
The whole body of American Indian literature, from its traditional, ceremonial aspects to its formal literary aspects, forms a field, or, we might say, a hoop dance, and as such is a dynamic, vital whole whose different expressions refer to a tradition that is unified and coherent on its own terms. It is a literary tradition that is breathtaking in its aesthetic realization and fundamental to coherent understanding of non-Indian varieties of American literature.
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