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"Les tentatives faites pour connaître la richesse et l'originalité des cultures humaines, et pour les réduire à l'état de répliques inégalement arriérées de la civilisation occidentale, se heurtent à une autre difficulté, qui est beaucoup plus profonde : en gros (et exception faite de l'Amérique, sur laquelle nous allons revenir), toutes les sociétés humaines ont derrière elles un passé qui est approximativement du même ordre de grandeur. Pour traiter certaines sociétés comme des "étapes" du développement de certaines autres, il faudrait admettre qu'alors que, pour ces dernières, il se passait quelque chose, pour celles-là il ne se passait rien - ou fort peu de choses. Et en effet, on parle volontiers des "peuples sans histoire" (pour dire parfois que ce sont les plus heureux). Cette formule elliptique signifie seulement que leur histoire est et restera inconnue, mais non qu'elle n'existe pas. Pendant des dizaines et même des centaines de millénaires, là-bas aussi, il y a eu des hommes qui ont aimé, haï, souffert, inventé, combattu. En vérité, il n'existe pas de peuples enfants ; tous sont adultes, même ceux qui n'ont pas tenu le journal de leur enfance et de leur adolescence. (p. 24-25)"
Claude Lévi-Strauss (28 November 1908 - 30 October 2009) was a French anthropologist and ethnologist whose work was key in the development of the theory of structuralism and structural anthropology.
Biography information from Wikiquote
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The order and harmony of the Western world, its most famous achievement, and a laboratory in which structures of a complexity as yet unknown are being fashioned, demand the elimination of a prodigious mass of noxious by-products which now contaminate the globe. The first thing we see as we travel round the world is our own filth, thrown into the face of mankind.
When the European looks down on this land, divided into minute lots and cultivated to the last acre, he experiences an initial feeling of familiarity. But the way the colours shade into each other, the irregular outlines of the fields and the rice-swamps which are constantly rearranged in different patterns, the blurred edges which look as if they had been roughly stitched together, all this is part of the same tapestry, but — compared to the clearly defined forms and colours of a European landscape — it is like a tapestry with the wrong side showing.
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While I complain of being able to glimpse no more than the shadow of the past, I may be insensitive to reality as it is taking shape at this very moment, since I have not reached the stage of development at which I would be capable of perceiving it. A few hundred years hence, in this same place, another traveller, as despairing as myself, will mourn the disappearance of what I might have seen, but failed to see.