<b>Le serpent qui danse</b> Que j'aime voir, chère indolente, De ton corps si beau, Comme une étoffe vacillante, Miroiter la peau! Sur ta chevelure… - Charles Baudelaire

"believe I already wrote in my notes that love was very similar to torture or surgery. But this idea can be developed in a most bitter way. Even if two lovers are very much in love and full of mutual desires, one of the two will always be calmer or less possessed than the other. The former is the operator or the executioner; the latter is the subject, the victim. Do you hear these sighs, preludes to a tragedy of dishonor, these groans, these cries, these gasps? Who hasn't uttered them, who has resisted extorting them? And what do you find to be the worst part of the torment applied by the careful torturers? The revolting sleepwalker eyes, the limbs with muscles that jump or stiffen as if they were galvanized; certainly, not even the most furious effects of intoxication, delirium or opium could provide such horrible and curious examples. And the human face, which Ovid believed to be made to reflect the stars, is now wearing an expression of crazy ferocity or slackening in some sort of death. Surely, I would think it a sacrilege if I used the word "ecstasy" for such decomposition."

He sadly resumes his path toward a desert that he knows is similar to the one he just crossed, escorted by the pale phantom they call Reason, who lights up the aridity of his path with a weak lantern, and who, when the thirst of passion comes back from time to time, quenches it with the poison of ennui.

The Revolution had been made by voluptuaries.