13 Quotes Tagged: baudelaire

Hay que ser sublime sin interrupción

evening harmony

behold the times when trembling on their stems
the flowers evaporate like thuribles
the sounds and scents turn in the evening cool;
sad waltz, languid intoxication!

the flowers evaporate like thuribles
the viol quivers like a heart that's torn
sad waltz, languid intoxication!
the sky is sad like some memorial.

the viol quivers like a heart that's torn
a heart that hates the void perpetual!
the sky is sad like some memorial
the sun has drowned in it's vermillion

a heart that hates the void perpetual
recalls each glowing moment of times gone!
the sun has drowned in it's vermillion;

your memory shines my monstrance personal

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Great writers, I discovered, were not to be bowed down before and worshipped, but embraced and befriended. Their names resounded through history not because they had massive brows and thought deep incomprehensible thoughts, but because they opened windows in the mind, they put their arms round you and showed you things you always knew but never dared to believe. Even if their names were terrifyingly foreign and intellectual sounding, Dostoevsky, Baudelaire or Cavafy, they turned out to be charming and wonderful and quite unalarming after all.

What bizarre things does not one find in a great city when one knows how to walk about and how to look! Life swarms with innocent monsters. Oh Lord my God, Thou Creator, Thou Master, Thou who hast made law and liberty, Thou the Sovereign who dost allow, Thou the Judge who dost pardon, Thou who art full of Motives and of Causes, Thou who hast (it may be) placed within my soul the love of horror in order to turn my hear to Thee, like the cure which follows the knife; Oh Lord, have pity, have pity upon the mad men and women that we are! Oh Creator, is it possible that monsters should exist in the eyes of Him alone who knoweth why they exist, how they have made themselves, and how they would have made themselves, and could not?

"Baudelaire writes: In certain almost supernatural inner states, the depth of life is entirely revealed in the spectacle, however ordinary, that we have before our eyes, and which becomes the symbol of it." Here we have a passage that designates the phenomenological direction I myself pursue. The exterior spectacle helps intimate grandeur unfold.

To handle a language skillfully is to practice a kind of evocative sorcery.

This life is a hospital where every patient is possessed with the desire to change beds; one man would like to suffer in front of the stove, and another believes that he would recover his health beside the window.

It is time to buddle (scrub in water) all that is not illutile (unwash-awayable). Baudelaire said that humans were deluded if they thought they could wash away all their spots with vile tears, but Baudelaire was French and therefore knew nothing about hygiene or shower gel.

"Be Drunken, Always. That is the point; nothing else matters. If you would not feel the horrible burden of Time weigh you down and crush you to the earth, be drunken continually.

Drunken with what? With wine, with poetry or with virtue, as you please. But be drunken.

And if sometimes, on the steps of a palace, or on the green grass in a ditch, or in the dreary solitude of your own room, you should awaken and find the drunkenness half or entirely gone, ask of the wind, of the wave, of the star, of the bird, of the clock, of all that flies, of all that speaks, ask what hour it is; and wind, wave, star, bird, or clock will answer you: "It is the hour to be drunken! Be Drunken, if you would not be the martyred slaves of Time; be drunken continually! With wine, with poetry or with virtue, as you please.