The chief means of liberating women is replacing of compulsiveness and compulsion by the pleasure principle. Cooking, clothes, beauty, and housekeepi… - Germaine Greer

The essence of pleasure is spontaneity.

In that mysterious dimension where the body meets the soul the stereotype is born and has her being. She is more body than soul, more soul than mind. To her belongs all that is beautiful, even the very word beauty itself. All that exists, exists to beautify her.

Libraries are reservoirs of strength, grace, and wit, reminders of order, calm, and continuity, lakes of mental energy, neither warm nor cold, light nor dark. The pleasure they give is steady, unorgastic, reliable, deep, and long-lasting. In any library in the world, I am at home, unselfconscious, still, and absorbed.

When the choice lies between the ultra-feminine and the virago,
Shakespeare’s sympathy lies with the virago. The women of the
tragedies are all feminine — even Lady Macbeth (who is so often
misinterpreted as a termagant), especially Gertrude, morally unconscious,
helpless, voluptuous, and her younger version, infantile
Ophelia, the lustful sisters, Goneril and Regan opposed by the warrior
princess Cordelia who refuses to simper and pander to her
father’s irrational desire. Desdemona is fatally feminine, but realizes
it and dies understanding how she has failed Othello. Only Cleopatra
has enough initiative and desire to qualify for the status of female
hero.