28 Quotes Tagged: katniss

Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena.

Well, don't expect us to be too impressed. We just saw Finnick Odair in his underwear.

Because I can count on my fingers the number of sunsets I have left, and I don't want to miss any of them.

All those months of taking it for granted that Peeta thought I was wonderful are over. Finally, he can see me for who I really am. Violent. Distrustful. Manipulative. Deadly. And I hate him for it.

"I know what blood poisoning is, Katniss," says Peeta. "Even if my mother isn't a healer."
I'm jolted back in time, to another wound, another set of bandages. "You said that same thing to me in the first Hunger Games. Real or not real?"
"Real," he says. "And you risked your life getting the medicine that saved me?"
"Real." I shrug. "You were the reason I was alive to do it."

"You're alive," I whisper, pressing my palms against my cheeks, feeling the smile that's so wide it must look like a grimace. Peeta's alive.

"One more time? For the audience?" he says. His voice isn't angry. It's hollow, which is worse. Already the boy with the bread is slipping away from me.
I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.

No. Now, shut up and eat your pears.

You here to finish me off, Sweetheart?

"You have a... remarkable memory."
"I remember everything about you. You're the one who wasn't paying attention."

I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peeta’s eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock.

“Let me go!” I snarl at him, trying to wrest my arm from his grasp.

“I can’t,” he says.

Technically, I am unarmed. But no one should ever underestimate the harm that fingernails can do. Especially if the target is unprepared.

Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”
“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.
“Your father? Why?” I ask.
“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.
“What? You’re making that up!” I exclaim.
“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”
“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.
“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.
“Oh, please,” I say, laughing.
“No, it happened. And right when your song ended, I knew — just like your mother — I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”
“Without success,” I add.
“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down t

"Really, the combination of the scabs and the ointment looks hideous. I can't help enjoying his distress.
"Poor Finnick. Is this the first time in your life you haven't looked pretty?" I say.
"It must be. The sensation's completely new. How have you managed it all these years?" he asks.
"Just avoid mirrors. You'll forget about it," I say.
"Not if I keep looking at you," he says."

My love for these books, at its purest, is not really about Peeta or anything silly and girly. I love that a young woman character is fierce and strong but hum in ways I find believable, relatable. Katniss is clearly a heroine, but a heroine with issues. She intrigues me because she never seems to know her own strength. She isn't blandly insecure the way girls are often forced to be in fiction. She is brave but flawed. She is a heroine, but she is also a girl who loves two boys and can't choose which boy she loves more. She is not sure she is up to the task of leading a revolution, but she does her best, even as she doubts herself.

Katniss endures the unendurable. She is damaged and it shows. At times, it might seem like her suffering is gratuitous, but life often presents unendurable circumstances people manage to survive. Only the details differ. The Hunger Games trilogy is dark and brutal, but in the end, the books also offer hope - for a better world and a better people and, for one woman, a better life, a life she can share with a man who understands her strength and doesn't expect her to compromise that strength, a man who can hold her weak places and love her through the darkest of her memories, the worst of her damage. Of course I love the Hunger Games. The trilogy offers the tempered hope that everyone who survives something unendurable hungers for.