Questlove Quotes

There are studies in early child psychology that demonstrate that children have only their own perspective. If you put a doll across the table from them and ask them what the doll sees, they will tell you what they see. They know the doll is across the table, but they cannot imagine a perspective other than their own. How different are we?

The question marks were piling up and I wasn't even ?uestlove yet. But Amir had questions, too, and the fishhook of the punctuation wasn't catching anything, and it wasn't straightening out either.

If history doesn’t pass through to the people who occupy the highest offices, there’s bound to be trouble. A nation of ignorance holds us all back.

I jumped in the river and there’s piranhas and sharks, but I have a 500-foot lead on them.

Collaborations work best this way; when there's a mutual desire to see what the other side adds. You know that what you're making on your own has value but the sum is more than the parts and every part knows it.

There's species-wide programming and then there's individuality. The overlap between those two opens up a space for creativity. Live in that space. I'm here too. Maybe I'll see you around sometime.

Think of all the different ways that stories get told. I’m working with the James Brown people on a movie that will end up being the closest thing to a biopic that can possibly exist for a man like that, who was actively working for fifty years. The story is too big to tell straight on through, so they decided to deal with it by breaking it into five different episodes, five representative short stories.

Switching off perfection switched on the human quality

as I loved all those artists, as much as I saw their genius, the fact of the matter is that for a while, there was only Prince. It may be hard for kids now to recover a sense of how out there Prince was in the early eighties, how far above the crowd he was operating, especially since the Prince today is kind of the opposite of the Prince then. But in the early eighties, people spoke of him as a genius, and they weren’t kidding, not even a little.

Resistance here doesn't mean revolution. It doesn't mean storming the barricades. Resistance means using art for the things that it does best, which is to create human portraits and communicate ideas and forge a climate where people of different races or classes are known to you because they make themselves known. In the simplest terms, art humanizes. It opens the circuit of empathy. And once that process happens, it's that much harder to think of people as part of a policy or a statistic. Art reverses the alienation that can creep into society.

On the plantations the slave owners would take their slaves’ drums away because they didn’t want them communicating with other slaves. They were afraid that the drum was some kind of magic signal system, a primal, coded language, which it was. And is. When the drums were taken away, other instruments were taken up — fifes and fiddles and the rest, and they were used for celebration and lamentation both, and a new kind of song sprung up, a work song, to document the labor in the fields, to pass the time, to pass on the content of the time, so that people would know what had happened.

Sitting there at one twenty in the afternoon in a maroon Chrysler, I told myself that I had to cherish that magical moment, because there was no guarantee that I would never again know what it felt like to hear that for the first time.

creative people are always having ideas. That’s not the trick. The trick is learning how to capture them without being captured by them,

I wasn’t a normal kid.

My father used to say half-jokingly that there was a little concern over whether or not I was okay. Maybe it wasn’t a joke at all. The concern was about my personality, which seemed too eccentric. I don’t think “autistic” was a common term back then, but I later found out that they had taken me to a doctor to see if something was really wrong.

It wasn’t that I was violent or temperamental. In fact, my mom said it was a blessing because I never gave her trouble. It was the opposite — they knew exactly how to sedate me, which was to sit me in front of something that held my interest and then just leave. I’d develop a deep relationship with that thing, whether it was Soul Train or a record on a turntable. But that led to a secondary worry, which was that I was falling inward into some kind of trance. Once, when I was very young, my dad installed a light with a rotating shade around a lightbulb, one of those lamps that works like a kind of carousel. He pressed the switch that caused the shade to turn and, according to him, I just disappeared inside myself. Five minutes passed, then ten, then fifteen, and I didn’t seem any less interested in the rotating lamp. Then my parents started noticing a broader pattern of me trying to spin stuff. I would take my sister’s bike and watch the wheel go around and around. I would take my father’s records and twirl them on my finger. They had a moment where they thought I might be interested in cars, because I was driving the records like a steering wheel. That was my whole entertainment for a while there, but to my parents, it was almost like a bad habit that they wanted me to drop. But I haven’t dropped it, not at all. To this day, my life revolves around circles. My drums are circles. Turntables are circles. My logo or autograph, which I developed over the years through doodling, is composed of six circles. My life revolves around that shape.

it is true that how you come to history has everything to do with how history comes to you.