A monster with a knife was among them, unseen, prowling the streets, apparently able to strike and then melt away invisibly into the darkness … His invisibility made him into something more than human, something supernatural: a creature born from myth, a phantom.

Once you kill another human being there is no going back… it’s a bit like being reborn, I suppose. But no ordinary birth—it’s a metamorphosis. What emerges from the ashes is not a phoenix, but an uglier creature: deformed, incapable of flight, a predator using its claws to cut and rip.

There was a word for this moment in Greek tragedy: anagnorisis—recognition—the moment the hero finally sees the truth and understands his fate—and how it’s always been there, the whole time, in front of him. Mariana used to wonder what that moment felt like. Now she knew.

Freud’s writings about grief and loss. And he argued that, following the death of a loved one, the loss had to be psychologically accepted and that person relinquished, or else you ran the risk of succumbing to pathological mourning, which he called melancholia—and we call depression.

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She was still in love and didn’t know what to do with all this love of hers. There was so much of it, and it was so messy: leaking, spilling, tumbling out of her, like stuffing falling out of an old rag doll that was coming apart at the seams.

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A long time ago, psychopathy used to be called simply ‘evil’. People who were evil – who took a delight in hurting or killing others – were written about ever since Medea took an axe to her children, and probably long before that. The word ‘psychopath’ was coined by a German psychiatrist in 1888 […] from the German word psychopastiche, literally meaning ‘suffering soul’. For Mariana this was the clue – the suffering – the sense that these monsters were also in pain. […] Psychopathy or sadism never appeared from nowhere. It was not a virus, infecting someone out of the blue. It had a long prehistory in childhood. […] Yet many children grow up in terribly abusive environments – and they don’t end up as murderers. Why? Well, as Mariana’s old supervisor used to say, ‘It doesn’t take much to save a childhood.’ A little kindness, some understanding or validation: someone to recognise and acknowledge a child’s reality – and save his sanity.

Love isn’t conditional,” Ruth said. “It’s not dependent on jumping through hoops to please someone—and always failing. You can’t love someone if you’re afraid of them, Mariana. I know it’s hard to hear. It’s a kind of blindness—but unless you wake up and see clearly, it will persist throughout your whole life, affecting how you see yourself, and others too.