It builds cathedrals before the workmen have moved a stone, and it destroys them before the elements have worn down their arches. It is the architect of the buildings of the spirit, and it is also their solvent: - and the spiritual precedes the material.

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Creativity is the universal of universals characterizing ultimate matter of fact. It is that ultimate principle by which the many, which are the universe disjunctively, become the one actual occasion, which is the universe conjunctively. It lies in the nature of things that the many enter into complex unity.

Ninety percent of our lives is governed by emotion. Our brains merely register and act upon what is telegraphed to them by our bodily experience. Intellect is to emotion as our clothes are to our bodies; we could not very well have civilized life without clothes, but we would be in a poor way if we had only clothes without bodies.

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In so far as your metaphysical beliefs are implicit, you vaguely interpret the past on the lines of the present. But when it comes to the primary metaphysical data, the world of which you are immediately conscious is the whole datum.

Without doubt, if we are to go back to that ultimate, integral experience, unwarped by the sophistications of theory, that experience whose elucidation is the final aim of philosophy, the flux of things is one ultimate generalization around which we must weave our philosophical system.

Philosophy, in one of its functions, is the critic of cosmologies. It is its function to harmonise, refashion, and justify divergent intuitions as to the nature of things. It has to insist on the scrutiny of the ultimate ideas, and on the retention of the whole of the evidence in shaping our cosmological scheme. Its business is to render explicit, and — so far as may be — efficient, a process which otherwise is unconsciously performed without rational tests.

Thus nature gets credit which should in truth be reserved for ourselves: the rose for its scent: the nightingale for his song: the sun for its radiance. The poets are entirely mistaken. They should address their lyrics to themselves, and should turn them into odes of self-congratulation on the excellency of the human mind. Nature is a dull affair, soundless, scentless, colourless...

...the only simplicity to be trusted is the simplicity to be found on the far side of complexity.

The world is not merely physical, nor is it merely mental. Nor is it merely one with many subordinate phases.
Nor is it merely a complete fact, in its essence static with the illusion of change. Wherever a vicious dualism appears, it is by reason of mistaking an abstraction for a final concrete fact.