Amy Lowell Quotes

It's a little bit sad, when you seem very near
To adventures and things of that sort,
Which nearly begin, and then don't; and you know
It is only because you are short.

For books are more than books, they are the life, the very heart and core of ages past.

Christ! What are patterns for?

For I have time for nothing
But the endeavour to balance myself
Upon a broken world.

Moonlight in a quiet garden that is her beauty.

The Taxi

When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?

Taking us by and large, we're a queer lot
We women who write poetry. And when you think
How few of us there've been, it's queerer still.
I wonder what it is that makes us do it,
Singles us out to scribble down, man-wise,
The fragments of ourselves. Why are we
Already mother-creatures, double-bearing,
With matrices in body and in brain?
I rather think that there is just the reason
We are so sparse a kind of human being;
The strength of forty thousand Atlases
Is needed for our every-day concerns.
There's Sapho, now I wonder what was Sapho.
I know a single slender thing about her:
That, loving, she was like a burning birch-tree
All tall and glittering fire, and that she wrote
Like the same fire caught up to Heaven and held there,
A frozen blaze before it broke and fell.
Ah, me! I wish I could have talked to Sapho,
Surprised her reticences by flinging mine
Into the wind. This tossing off of garments
Which cloud the soul is none too easy doing
With us to-day. But still I think with Sapho
One might accomplish it, were she in the mood
to bare her loveliness of words and tell
The reasons, as she possibly conceived them
of why they are so lovely. Just to know
How she came at them, just watch
The crisp sea sunshine playing on her hair,
And listen, thinking all the while 'twas she
Who spoke and that we two were sisters
Of a strange, isolated little family.
And she is Sapho — Sapho — not Miss or Mrs.,
A leaping fire we call so for convenience....

All books are either dreams or swords,
You can cut, or you can drug, with words.

Vernal Equinox

The scent of hyacinths, like a pale mist, lies
between me and my book;
And the South Wind, washing through the room,
Makes the candles quiver.
My nerves sting at a spatter of rain on the shutter,
And I am uneasy with the thrusting of green shoots
Outside, in the night.

Why are you not here to overpower me with your
tense and urgent love?

"Nuit Blanche"

A music coaxed from humming strings would please;
Not plucked, but drawn in creeping cadences
Across a sunset wall where some Marquise
Picks a pale rose amid strange silences.

Ghostly and vaporous her gown sweeps by
The twilight dusking wall, I hear her feet
Delaying on the gravel, and a sigh,
Briefly permitted, touches the air like sleet

And it is dark, I hear her feet no more.
A red moon leers beyond the lily-tank.
A drunken moon ogling a sycamore,
Running long fingers down its shining flank.

A lurching moon, as nimble as a clown,
Cuddling the flowers and trees which burn like glass.
Red, kissing lips, I feel you on my gown — Kiss me, red lips, and then pass — pass.

Music, you are pitiless to-night.
And I so old, so cold, so languorously white.

MADONNA OF THE EVENING FLOWERS

All day long I have been working
Now I am tired.
I call: “Where are you?”
But there is only the oak tree rustling in the wind.
The house is very quiet,
The sun shines in on your books,
On your scissors and thimble just put down,
But you are not there.
Suddenly I am lonely:
Where are you?
I go about searching.

Then I see you,
Standing under a spire of pale blue larkspur,
With a basket of roses on your arm.
You are cool, like silver,
And you smile.
I think the Canterbury bells are playing little tunes,
You tell me that the peonies need spraying,
That the columbines have overrun all bounds,
That the pyrus japonica should be cut back and rounded.
You tell me these things.
But I look at you, heart of silver,
White heart-flame of polished silver,
Burning beneath the blue steeples of the larkspur,
And I long to kneel instantly at your feet,
While all about us peal the loud, sweet Te Deums of the Canterbury bells

Underneath my stiffened gown
Is the softness of a woman bathing in a marble basin,
A basin in the midst of hedges grown
So thick, she cannot see her lover hiding,
But she guesses he is near,
And the sliding of the water
Seems the stroking of a dear
Hand upon her.

This is America,
This vast, confused beauty,
This staring, restless speed of loveliness,
Mighty, overwhelming, crude, of all forms,
Making grandeur out of profusion,
Afraid of no incongruities,
Sublime in its audacity,
Bizarre breaker of moulds,
Laughing with strength,
Charging down on the past,
Glorious and conquering,
Destroyer, builder,
Invincible pith and marrow of the world,
An old world remaking,
Whirling into the no-world of all-colored light.

To understand Vers libre, one must abandon all desire to find in it the even rhythm of metrical feet. One must allow the lines to flow as they will when read aloud by an intelligent reader.

A black cat among roses,
phlox, lilac-misted under a quarter moon,
the sweet smells of heliotrope and night-scented stock. The garden is very still.
It is dazed with moonlight,
contented with perfume...