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In the folds and the branches,
somewhere, out there,
I was only just born into open air.
Now hush, little babe.
You don’t want to be
down in the trenches,
remembering with me,
where you will not mark my leaving,
and you will not hear my parting song. Nor is there cause for grieving.
Nor is there cause for carrying on.

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I can't call them linear narratives, and I can't call them chronological in a traditional, classical sense; I'm sure there's plenty of stuff I borrow more from William Faulkner than William Shakespeare. I just find it funny that at this point, we see a collection of highly charged, highly potent symbols as referring back to a classical aesthetic, because to me they seem deeply connected to the pedestrian actuality of real life.

Well, Nabokov is definitely my favorite author, though I feel strange calling him an "influence," since I can't trace the ways in which his writing may or may not have seeped into my own. But I also love William Faulkner, Thomas Pynchon, Kenneth Patchen, Joyce Carol Oates, Philip Roth, Mark Helprin (who wrote a beautiful book called Winter's Tale), and Kurt Vonnegut. My favorite book of all time is The Last Unicorn by Peter S. Beagle.

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