Charles Wright Quotes

Lo que queda es con lo que empiezas.

It may not be written in any book, but it is written — You can’t go back,
you can’t repeat the unrepeatable.

Language is the element of definition, the defining and descriptive incantation. It puts the coin between our teeth. It whistles the boat up. It shows us the city of light across the water. Without language there is no poetry, without poetry there’s just talk. Talk is cheap and proves nothing. Poetry is dear and difficult to come by. But it poles us across the river and puts a music in our ears. It moves us to contemplation. And what we contemplate, what we sing our hymns to and offer our prayers to, is what will reincarnate us in the natural world, and what will be our one hope for salvation in the What’sToCome.

We filigree and we baste.
But what do the dead care for the fringe of words,
Safe in their suits of milk?
What do they care for the honk and flash of a new style?

And who is to say if the inch of snow in our hearts
Is rectitude enough?

What makes us leave what we love best?
What is it inside us that keeps erasing itself
When we need it most,
That sends us into uncertainty for its own sake
And holds us flush there
until we begin to love it
And have to begin again?
What is it within our own lives we decline to live
Whenever we find it,
making our days unendurable,
And nights almost visionless?
I still don't know yet, but I do it.

We've all led raucous lives,
some of them inside, some of them out.
But only the poem you leave behind is what's important.
Everyone knows this.
The voyage into the interior is all that matters,
Whatever your ride.
Sometimes I can't sit still for all the asininities I read.
Give me the hummingbird, who has to eat sixty times
His own weight a day just to stay alive.
Now that's a life on the edge.

Clear night, thumb-top of a moon, a back-lit sky.
Moon-fingers lay down their same routine
On the side deck and the threshold, the white keys and the black keys.
Bird hush and bird song. A cassia flower falls.

I want to be bruised by God.
I want to be strung up in a strong light and singled out.
I want to be stretched, like music wrung from a dropped seed.
I want to be entered and picked clean.

And the wind says “What?” to me.
And the castor beans, with their little earrings of death, say “What?” to me.
And the stars start out on their cold slide through the dark.
And the gears notch and the engines wheel.

"Spider Crystal Ascension"

The spider, juiced crystal and Milky Way, drifts on his web through the night sky
And looks down, waiting for us to ascend …

At dawn he is still there, invisible, short of breath, mending his net.

All morning we look for the white face to rise from the lake like a tiny star.
And when it does, we lie back in our watery hair and rock.

The plains drift on through the deep daylight. I watch the snow bees sent mad by the sun. The limbs of the hickory trees swing loose in the noontide, Feathery, stretching their necks. The wind blows through its own hair forever. If something is due me still — Firedogs, ashes, the soap of another life — I give it back. And this hive Of shelved combs, my wax in its little box.

Out of any two thoughts I have, one is devoted to death.
Our days an uncertainty, a chaos and shapeless,
all that our lives are
blurs down, like a landscape reflected in water.

That I isn't I anymore. It's someone else, the character who plays me, someone who's a better actor than I could ever be. I'm just the writer. Someone else is starring in my part. I remember him just well enough to try to write about him. A case of the negative sublime. I guess art's always after the fact. The real is imaginary, or imagined. Reconstitution, reconstruction, representation is all we're left with. Autobiography becomes biography in the end.

Meanwhile, the mole goes on with its subterranean daydreams,
The dogs lie around like rugs

He looked like an angelic little boy who had been kicked out of his orphanage for failing to take part in group masturbation.

"Sitting at Night on the Front Porch"

I’m here, on the dark porch, restyled in my mother’s chair.
10:45 and no moon.
Below the house, car lights
Swing down, on the canyon floor, to the sea.

In this they resemble us,
Dropping like match flames through the great void
Under our feet.
In this they resemble her, burning and disappearing.

Everyone’s gone
And I’m here, sizing the dark, saving my mother’s seat.

Friday beneath the sky, its little postcards of melancholy
Outside each window,
the engines inside the roses at half speed,
The huge page of the sea with its one word despair,
Fuchsia blossoms littered across the deck,
Unblotted tide pools of darkness beneath the ferns …
And still I go on looking,
match after match in the black air.