Charles Wright Quotes

THINGS HAVE ENDS AND BEGINNINGS” Cloud mountains rise over mountain range. Silence and quietness, sky bright as water, sky bright as lake water. Grace is the instinct for knowing when to stop. And where.

A moment that should have lasted forever and forever
Long over — it came and went before I knew it existed.
I think I know what it means,
But every time I start to explain it, I forget the words.

We disappear as stars do, soundless, without a trace.

How many years have slipped through our hands? At least as many as the constellations we still can identify. The quarter moon, like a light skiff, floats out of the mist-remnants Of last night’s hard rain. It, too, will slip through our fingers with no ripple, without us in it.

Toadstools

The toadstools are starting to come
up,
circular and dry.
Nothing will touch them,
Gophers or chipmunks, wasps or swallows.
They glow in the twilight like rooted will-o’-the-wisps.
Nothing will touch them.
As though little roundabouts from the bunched unburiable,
Powers, dominions,
As though orphans rode herd in the short grass,
as though they had heard the call,
They will always be with us,
transcenders of the world.
Someone will try to stick his beak into their otherworldly styrofoam.
Someone may try to taste a taste of forever.
For some it’s a refuge, for some a shady place to fall down.
Grief is a floating barge-boat,
who knows where it’s going to moor?

All those nights looking up at the sky, wanting to be there, away from the grief of being here.

Lonesomeness. Morandi, Cezanne, it's all about lonesomeness.
And Rothko. Especially Rothko.

That I isn't I anymore. It's someone else, the character who plays me, someone who's a better actor than I could ever be. I'm just the writer. Someone else is starring in my part. I remember him just well enough to try to write about him. A case of the negative sublime. I guess art's always after the fact. The real is imaginary, or imagined. Reconstitution, reconstruction, representation is all we're left with. Autobiography becomes biography in the end.

If you don’t shine you are darkness.

from “Tomorrow

The music of memory has its own pitch,/which not everyone hears.

What we are given in dreams we write as blue paint,
Or messages to the clouds.
At evening we wait for the rain to fall and the sky to clear.
Our words are words for the clay, uttered in undertones,
Our gestures salve for the wind.

We sit out on the earth and stretch our limbs,
Hoarding the little mounds of sorrow laid up in our hearts. — Charles Wright, closing lines to “Homage to Paul Cézanne,” The Southern Cross: Poems (Random House, 1981)

I write your name for the last time in this mist,
White breath on the windowpane,
And watch it vanish. No, it stays there.

Narrow road, wide road, all of us on it, unhappy,
Unsettled, seven yards short of immortality
And a yard short of not long to live.
Better to sit down in the tall grass
and watch the clouds,
To lift our faces up to the sky,
Considering — for most of us — our lives have been a constant mistake.

At dawn, in the great meadow, a solitude
As easy as white paint comes down from the mountains
To daydream, bending the grass.

I take my body, familiar bundle of sorrows, to be
Touched by its hem, and smoothed over . . .

There's only one secret in life that's worth knowing,
And you found it.

I'll find it too.

The plains drift on through the deep daylight. I watch the snow bees sent mad by the sun. The limbs of the hickory trees swing loose in the noontide, Feathery, stretching their necks. The wind blows through its own hair forever. If something is due me still — Firedogs, ashes, the soap of another life — I give it back. And this hive Of shelved combs, my wax in its little box.