66 Quotes Tagged: writing-process

There are three secrets to writing a novel. Unfortunately nobody knows what they are.

I believe that what we want to write wants to be written

O público quer saber como é estar vivo na ponta da faca do agora. O que significa ser um ser humano hoje?

I suppose I had some meaning when I wrote it; I believe I understood it then.

Unlike Alice, Garp was a real writer — not because he wrote more beautifully than she wrote but because he knew what every artist should know: as Garp put it, 'You only grow by coming to the end of something and by beginning something else.' Even if these so-called endings and beginnings are illusions. Garp did not write faster than anyone else, or more; he simply always worked with the idea of completion in mind.

Prose, in his experience, calls for many more words than poetry. There is no point in embarking on prose if one lacks confidence that one will be alive the next day to carry on with the task.

Anyone moderately familiar with the rigours of composition will not need to be told the story in detail; how he wrote and it seemed good; read and it seemed vile; corrected and tore up; cut out; put in; was in ecstasy; in despair; had his good nights and bad mornings; snatched at ideas and lost them; saw his book plain before him and it vanished; acted people's parts as he ate; mouthed them as he walked; now cried; now laughed; vacillated between this style and that; now preferred the heroic and pompous; next the plain and simple; now the vales of Tempe; then the fields of Kent or Cornwall; and could not decide whether he was the divinest genius or the greatest fool in the world.

When I write, I fall into the zone many writers, painters, musicians, athletes, and craftsmen of all sorts seem to share: In doing something I enjoy and am expert at, deliberate thought falls aside and it is all just THERE. I think of the next word no more than the composer thinks of the next note.

Forget ideas, Mr. Author.
What kind of pen do you use?

There is only one thing a writer can write about: what is in front of his senses at the moment of writing... I am a recording instrument... I do not presume to impose “story” “plot” “continuity”... Insofar as I succeed in Direct recording of certain areas of psychic process I may have limited function... I am not an entertainer...

Don’t have the veins bulging in your biro.

At one time I thought the most important thing was talent. I think now that — the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that or not.

[Press conference, University of Virginia, May 20, 1957]

I’ve always said, ‘I have nothing to say, only to add.’ And it’s with each addition that the writing gets done. The first draft of anything is really just a track.

We are prisoners of our own metaphors, metaphorically speaking.

Every collection of poetry makes a force field of energy. When creating you give yourself over to it. In the fiercest moments of imagination the artist may not know where they are going, the how and when of it, and it doesn't matter. What matters is the process regenerates and meaning shifts at every turn.