So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. the pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and giver her my spirit, because this is the way a mother loves her daughter.

"I take a few quick sips. "This is really good." And I mean it. I have never tasted tea like this. It is smooth, pungent, and instantly addicting.

"This is from Grand Auntie," my mother explains. "She told me 'If I buy the cheap tea, then I am saying that my whole life has not been worth something better.' A few years ago she bought it for herself. One hundred dollars a pound."

"You're kidding." I take another sip. It tastes even better."

Yet part of me also thinks the whole idea makes perfect sense. The three of us, leaving our differences behind, stepping on the plane together, sitting side by side, lifting off, moving West to reach the East.

Thanks to my mother, I was raised to have a morbid imagination. When I was a child, she often talked about death as warning, as an unavoidable matter of fact. Little Debbie's mom down the block might say, 'Honey, look both ways before crossing the street.' My mother's version: 'You don't look, you get smash flat like sand dab.' (Sand dabs were the cheap fish we bought live in the market, distinguished in my mind by their two eyes affixed on one side of their woebegone cartoon faces.)

The warnings grew worse, depending on the danger at hand. Sex education, for example, consisted of the following advice: 'Don't ever let boy kiss you. You do, you can't stop. Then you have baby. You put baby in garbage can. Police find you, put you in jail, then you life over, better just kill youself.

And for all those years, we never talked about the disaster at the recital or my terrible accusations afterward at the piano bench. All that remained unchecked, like a betrayal that was now unbreakable. So I never found a way to ask her why she had hoped something so large that failure was inevitable. And even worse, I never asked her what frightened me the most: Why had she given up hope?

And I think now that fate is shaped half by expectation, half by inattention. But somehow, when you lose something you love, faith takes over.
-Rose

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My father has asked me to be the fourth corner at the Joy Luck Club. I am to replace my mother, whose seat at the mah jong table has been empty since she died two months ago. My father thinks she was killed by her own thoughts.

Kehidupan hanyalah ilusi yang harus kau lepaskan. Ketika makin tua, kau menyadari perubahan posisimu sehubungan dengan kematian. Di masa muda topik kematian adalah filosofis, di usia tiga puluhan topik itu tidak bisa diterima, dan di usia empat puluhan topik itu tidak terhindarkan. Di usia lima puluhan, kau menghadapinya dengan cara-cara yang lebih rasional : mengatur surat wasiat, menghitung aset dan harta warisan, menjelaskan donasi organ tubuhmu, merinci kata-kata yang tepat untuk surat wasiat. Kini di usia enam puluhan, kau kembali jadi filosofis.

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It isn't that i consider them brave, they are reckless, unpredictable, maddeningly unreliable. But like rogue waves and shooting stars, they also add thrills to a life that otherwise would be as regular as the tide, as routine as day passing into night.