Anaïs Nin

I prefer by far the warmth and softness to mere brilliancy and coldness. Some people remind me of sharp dazzling diamonds. Valuable but lifeless and loveless. Others, of the simplest field flowers, with hearts full of dew and with all the tints of celestial beauty reflected in their modest petals.

When your beauty struck me, it dissolved me. Deep down, I am not different from you. I dreamed you, I wished for your existence. I see in you that part of me which is you. I surrender my sincerity because if I love you it means we share the same fantasies, we share the same madness.

I feel that from the very beginning life played a terrible conjurer’s trick on me. I lost faith in it. It seems to me that every moment now it is playing tricks on me. So that when I hear love I am not sure it is love, and when I hear gaiety I am not sure it is gaiety, and when I have eaten and loved and I am all warm from wine, I am not sure it is either love or food or wine, but a strange trick being played on me, an illusion, slippery and baffling and malicious, and a magician hangs behind me watching the ecstasy I feel at the things which happen so that I know deep down it is all fluid and escaping and may vanish at any moment. Don’t forget to write me a letter and tell me I was here, and I saw you, and loved you, and ate with you. It is all so evanescent and I love it so much, I love it as you love the change in the days.

He was insane with anger. Or is all insanity anger?

What we call our destiny is truly our character and that character can be altered. The knowledge that we are responsible for our actions and attitudes does not need to be discouraging, because it also means that we are free to change this destiny. One is not in bondage to the past, which has shaped our feelings, to race, inheritance, background. All this can be altered if we have the courage to examine how it formed us. We can alter the chemistry provided we have the courage to dissect the elements.

He left me at my hotel at 3:00 AM murmuring: "You're marvelous."

I wanted to remember in order to be able to return.

There are many ways to be free. One of them is to transcend reality by imagination, as I try to do.

The leaf fall of his words, the stained glass hues of his moods, the rust in his voice, the smoke in his mouth, his breath on my vision like human breath blinding a mirror.

I will not adjust myself to the world. I am adjusted to myself.

When I hear of people who weary of each other, I believe it is because they have sought virtues in themselves alone, attractions of physical beauty. Have they based their love on each other's thoughts? Who can weary of thoughts which change every day?

I walked into my own book, seeking peace.
It was night, and I made a careless movement inside the dream; I turned too brusquely the corner and I bruised myself against my madness.

The secret of joy is the mastery of pain.

Not afraid of poverty and drabness and who is untouched by it, untouched by the drunkenness of her friends; (she) who judges, selects, discards people with severity, who knows, when she is telling her endless anecdotes, that they are ways of escape, keeping herself all the more secret behind that profuse talk.

The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure.