Anaïs Nin Quotes

There are books which we read early in life, which sink into our consciousness and seem to disappear without leaving a trace. And then one day we find, in some summing-up of our life and put attitudes towards experience, that their influence has been enormous.

Women always think that when they have my shoes, my dress, my hairdresser, my makeup, it will all work the same way. They do not conceive of the witchcraft that is needed. They do not know that I am not beautiful but that I only appear to be at certain moments.

Beware of allowing a tactless word, a rebuttal, a rejection to obliterate the whole sky

I'm sick of my own romanticism!

There are many ways to be free. One of them is to transcend reality by imagination, as I try to do.

During the nuit blanche I think: Henry, my love, I can love you better now that you cannot hurt me. I can love you more gaily. More loosely. I can endure space and distance and betrayals. Only the best, the best and the strongest. Henry, my love, the wanderer, the artist, the faithless one who has loved me so well. Believe me, nothing has changed in me toward you except my courage. I cannot walk with one love ever. My head is strong, my head, but to walk, to walk into love I need miracles, the miracles of excess, and white heat, and two-ness! Lie here, breathing into my hair, over my neck. No hurt will come from me. No criticalness, no judgment. I bear you in my womb.

To think of him in the middle of the day lifts me out of ordinary living.

I am the one who has felt most deeply the stuttering of the tongue in its relation to thought.

She had acquired some of his gypsy ways, some of his nonchalance, his bohemian indiscipline. She had swung with him into the disorders of strewn clothes, spilled cigarette ashes, slipping into bed all dressed, falling asleep thus, indolence, timelessness...A region of chaos and moonlight. She liked it there.

I had been struck by the analogy between neurosis and romanticism. Romanticism was truly a parallel to neurosis. It demanded of reality an illusory world, love, an absolute which it could never obtain, and thus destroyed itself by the dream.

When she did finally fall asleep it was the restless sleep of the night watchman continuously aware of danger and of the treacheries of time seeking to cheat her by permitting clocks to strike the passing hours when she was not awake to grasp their contents.

No desire of the body, but for what lies in there, what lies in the flesh, the world, the thought, the creation, the illumination.

By shutting out the outside world, drugs place one not only in confrontation with the dreaming self, but also ones nightmares.

The woman will sit eternally in the tall black armchair. I will be the one woman you will never have... excessive living weighs down the imagination: we will not live, we will only write and talk to swell the sails.

It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it.