He, who doesn't know why he lives, cannot feel love for people or for life itself. I don't love myself enough, so I don't love people enough. One of my major defects is impatience: I try to get rid of it, but i can't. I am not tolerant enough for my age. I suffer for this, because i can't approach people with sympathy. They annoy me.
Soviet and Russian film director, screenwriter, film editor, film theorist, theatre and opera director (1932–1986)
Andrei Arsenyevich Tarkovsky (Russian: Андрей Арсеньевич Тарковский) (4 April 1932 – 29 December 1986) was a Soviet and Russian filmmaker, writer, film editor, film theorist and opera director.
From: Wikiquote (CC BY-SA 4.0)
Birth Name:
Andrei Arsenyevich Tarkovsky
Native Name:
Андрей Арсеньевич Тарковский
Alternative Names:
Andrej Tarkovskij
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Andrei Tarkovski
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Andrej Tarkovszkij
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And. Arsenʹevich Tarkovskiĭ
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Andrey Arsenyevich Tarkovsky
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Andreĭ Arsenʹevich Tarkovskĭi
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Andrei Tarkovskij
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Andreĭ Arsenévich Tarkovskiĭ
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Andrey Tarkovsky
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Andreĭ Arsen'evich Tarkovskiĭ
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Andrej Tarkowskij
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Andreiĭ Arsen'evich Tarkovskiĭ
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Andrei Arsen'evich Tarkovskii
From Wikidata (CC0)
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Freedom is inseparable from conscience. And even if it is true that all the ideas developed by the social conciousness are the product of evolution, conscience at least has nothing to do with the historic process. Conscience, both as a sense and as a concept, is a priori immanent in man, and shakes the very foundations of the society that has emerged from our ill-conceived civilisation.
Religion, philosophy, art — those three pillars on which the world has rested — were invented by man in order symbolically to encapsulate the idea of infinity, setting against it a symbol of its possible attainment (which in real terms is of-course impossible). Humanity has found nothing else on such an enormous scale. Admittedly man found it by instinct, without understanding why he needed God (easier that way!) or philosophy (explains everything, even the meaning of life!) or art (immortality).
What moved me was the theme of the harmony which is born only of sacrifice, the twofold experience of love. It's not a question of mutual love: what nobody seems to understand is that love can only be one-sided, that no other love exists, that in any other form it is not love. If it involves less than total giving, it is not love. It is impotent; for the moment, it is nothing.
Art affirms all that is best in man — hope, faith, love, beauty, prayer…What he dreams of and what he hopes for…What is art?…Like a declaration of love: the consciousness of our dependence on each other. A confession. An unconscious act that none the less reflects the true meaning of life — love and sacrifice.
I don’t know… I think I’d like to say only that they should learn to be alone and try to spend as much time as possible by themselves. I think one of the faults of young people today is that they try to come together around events that are noisy, almost aggressive at times. This desire to be together in order to not feel alone is an unfortunate symptom, in my opinion. Every person needs to learn from childhood how to spend time with oneself. That doesn’t mean he should be lonely, but that he shouldn’t grow bored with himself because people who grow bored in their own company seem to me in danger, from a self-esteem point of view.
What is the essence of the director's work? We could define it as sculpting in time. Just as a sculptor takes a lump of marble, and, inwardly conscious of the features of his finished piece, removes everything that is not a part of it — so the film-maker, from a 'lump of time' made up of an enormous, solid cluster of living facts, cuts off and discards whatever he does not need, leaving only what is to be an element of the finished film, what will prove to be integral to the cinematic image.