The biggest mistake I made [as a parent] is the one that most of us make. … I did not live in the moment enough. This is particularly clear now that the moment is gone, captured only in photographs. There is one picture of [my three children] sitting in the grass on a quilt in the shadow of the swing set on a summer day, ages six, four, and one. And I wish I could remember what we ate, and what we talked about, and how they sounded, and how they looked when they slept that night. I wish I had not been in such a hurry to get on to the next thing: dinner, bath, book, bed. I wish I had treasured the doing a little more and the getting it done a little less.

February is a suitable month for dying. Everything around is dead, the trees black and frozen so that the appearance of green shoots two months hence seems preposterous, the ground hard and cold, the snow dirty, the winter hateful, hanging on too long.

One of the greatest glories of growing older is the willingness to ask why and, getting no good answer, deciding to follow my own inclinations and desires. Asking why is the way to wisdom. Why are we supposed to want possessions we don't need and work that seems beside the point and tight shoes and a fake tan? Why are we supposed to think new is better than old, youth and vigor better than long life and experience? Why are we supposed to turn our backs on those who have preceded us and to snipe at those who come after? When we were small children we asked 'Why?' constantly. Asking the question now is more a matter of testing the limits of what sometimes seems a narrow world. One of the useful things about age is realizing conventional wisdom is often simply inertia with a candy coating conformity.

After my mother died, I had a feeling that was not unlike the homesickness that always filled me for the first few days when I went to stay at my grandparents'' house, and even, I was stunned to discover, during the first few months of my freshman year at college. It was not really the home my mother had made that I yearned for. But I was sick in my soul for that greater meaning of home that we understand most purely when we are children, when it is a metaphor for all possible feelings of security, of safety, of what is predictable, gentle, and good in life.

When an actress takes off her clothes onscreen but a nursing mother is told to leave, what message do we send about the roles of women? In some ways we’re as committed to the old madonna-whore dichotomy as ever. And the Madonna stays home, feeding the baby behind the blinds, a vestige of those days when for a lady to venture out was a flagrant act of public exposure.

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