Our parents are never people to us, never, they're always traits, Achilles' heels, dim nightmares, vocal tics, bad noses, hot tears, all handed down and us stuck with them. Our dilemma is utter: turn and look at this woman, understand and pity her, like and talk with her, recognize that she has taken the cold cleanliness of the spartan rooms in which she grew up and turned them, with her considerable and perhaps wounded heart, into a lifelong burst of cooking and cosseting and making her own little corner of the world pretty and welcoming, and the separation is complete - but when that happens you will have to be an adult. There is only room in the lifeboat of your life for one, and you always choose yourself, and turn your parents into whatever it takes to keep you afloat.
American journalist and novelist (born 1952)
One day she had been out walking and she had wondered whether she had become a different person in the last year,.... Then when she really thought about is she realized she'd been becoming different people for as long as she could remember but had never really noticed, or had put it down to moods, or marriage, or motherhood. The problem was that she'd thought that at a certain point she would be a finished product. Now she wasn't sure what that might be, especially when she considered how sure she had been about it at various times in the past, and how wrong she'd been.
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I mark my years or parenting by the people who stepped in and forced me to abandon my inclination to meddle, micromanage, and coddle, beginning with my children's father, who sat me down and told me in year two that I was going to create a little monster if I continuted to act as though "no" and "I don't love you" were synonomous.
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I read and reread and recommended and rarely rejected, became one of those readers who will read trashy stories as long as they're not too terrible — well, even perhaps the truly terrible ones — and will reread something she's already read, even if it's something like a detective novel, when you'd suspect that knowing who had really killed the countess would materially detract from the experience. (It doesn't, and besides, I often can't remember who the murderer was in the first place.)