Canadian poet, essayist, and academic (born 1950)
CHORUS: Helen! wild mad Helen
you murdered so many beneath Troy.
Now you’ve crowned yourself one final perfect time,
a crown of blood that will not wash away.
Strife walks with you everywhere you go.
KLYTAIMESTRA: Oh, stop whining.
And why get angry at Helen?
As if she singlehandedly destroyed those multitudes of men.
As if she all alone made this wound in us
"Three old women were bending in the fields. What use is it to question us? they said. Well it shortly became clear that they knew everything there is to know about the snowy fields and the blue green shoots and the plant called "audacity", which poets mistake for violets. I began to copy out everything that was said. ... I will do anything to escape boredom. It is the task of a lifetime. You can never know enough, never work enough, never use the infinitives and participles oddly enough, never impede the movement harshly enough, never leave the mind quickly enough."
Now I think it is true to say of the road, and also of God, that it does not move. At the same time, it is everywhere. It has a language, but not one I know. It has a story, but I am in it. So are you. And to realize this is a moment of some sadness. When we are denied a story, a light goes off. I am asking you to study the dark.
In myth, women's boundaries are pliant, porous, mutable. Her power to control them is inadequate, her concern for them unreliable. Deformation attends her. She swells, she shrinks, she leaks, she is penetrated, she suffers metamorphoses. The women of mythology regularly lose their form in monstrosity.