I’m actually quite tired because Threepio is an exhausting character — he’s always very tense, he’s always slightly on the edge of panic. That’s why he’s funny, because he’s always in the wrong place. I record each piece three times in a row, so the director can choose without interrupting too much.

The refusal of free inquiry derives from an awareness of the fragility of the basis of religious faith; and since certainty is psychologically preferable to truth, the former often being willfully mistaken for the latter, anything that threatens certainty is anathematized with fury.

<14:06> ...Of course I made it quite clear to the women that I thought that the way that they had been abused was terrible and completely unjustifiable. However, I thought that it was very important that they should understand their own complicity in it; so that, for example, they understood that the way they chose men, and their refusal to see signs (which they were capable of seeing) resulted in their misery… <14:40> To give you a concrete example, I would say to them, ‘This man of yours, who’s very nasty to you, and drags you across the floor, and puts your head through the window, and sometimes even hangs you out of the window by your ankles: How long do you think it would take me to realise he was no good, as he came through the door? Would it take me a second, or half a second, or an eighth of a second, or would I not notice that there was anything wrong with him at all?’ And they’d say, ‘Oh, an eighth of a second, you’d know immediately.’ And I would say to them, ‘Well, if you know that I would know immediately, then you knew immediately as well.’ It’s a logical consequence, really. And they would accept that. ‘And yet, you chose to associate with him, knowing full well that he was no good; and I tell you this, because it’s very necessary you should understand your own part in the predicament you now find yourself in, because if you don’t understand it, or don’t think about it, you’re just going to repeat it.’ which is of course, a very, very common pattern.

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Blanket compassion will shift the distribution decisively towards the manipulative end of the spectrum, and may paradoxically decrease the compassion with which the genuinely despairing are treated: for they are apt to get lost in the great mass of pseudo-distress and manipulation, and often their conduct draws less attention precisely because it is less attention-seeking.

People who are given opiates after operations — sometimes for days — do not become addicts in the sense that I’m talking about. Moreover, it’s been shown that heroin addicts have to make considerable efforts — in other words to be determined — to become addicts, and addicted; and on average it takes them about a year or so. In other words, heroin does not hook them, they hook heroin. And this, I think should suggest, is a typical example of the way that when we think about social problems, or the way many of us think about social problems, we ascribe agency not to agents but to inanimate objects and substances, and forces.

Everybody uses mime and gesture in real life, though we don’t realize it. It’s very useful as a performance technique, though it can be boring to watch on its own. As for radio, I had a wonderful teacher. I was hugely lucky. I didn’t want to play a robot, but the situation was an object lesson in fate taking over.