cultural critic and author
Anthony Daniels (born 11 October 1949) is an English writer and retired physician (prison doctor and psychiatrist) who frequently uses the pen name Theodore Dalrymple.
From: Wikiquote (CC BY-SA 4.0)
Alternative Names:
Anthony Malcolm Daniels
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Anthony Daniels
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Anthony M. Daniels
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A. M. Daniels
From Wikidata (CC0)
I was in the enormous and almost deserted square in front of the Great People's Study House—all open spaces in Pyongyang remain deserted unless filled with parades of hundreds of thousands of human automata—when a young Korean slid surreptitiously up to me and asked, "Do you speak English?"
An electric moment: for in North Korea, unsupervised contact between a Korean and a foreigner is utterly unthinkable, as unthinkable as shouting, "Down with Big Brother!"
"Yes," I replied.
"I am a student at the Foreign Languages Institute. Reading Dickens and Shakespeare is the greatest, the only pleasure of my life."
It was the most searing communication I have ever received in my life. We parted immediately afterward and of course will never meet again. For him, Dickens and Shakespeare (which the regime permitted him to read with quite other ends in view) guaranteed the possibility not just of freedom but of truly human life itself.
Orwell's 1984 refers more directly to contemporary events than does Huxley's book: the narrative takes place in the near rather than the distant future and obviously sets its sights on Stalinism. When I traveled in the communist world before the fall of the Berlin Wall, I found that everyone I met who had read the book (clandestinely, of course) expressed immeasurable admiration for it and marveled that a man who had never set foot inside a communist country could not only describe the physical environment so well—the universal smell of cabbage, the grayness of the dilapidated buildings—but also its mental and moral atmosphere. It was almost as if the communist regimes had taken 1984 as a blueprint rather than as a warning.
Even [Marx], whose information about people came mainly from books, must have known that the Manifesto’s depiction of the relations between men and women was grossly distorted. His rage was therefore—as is so much modern rage—entirely synthetic, perhaps an attempt to assume a generosity of spirit, or love of mankind, that he knew he did not have but felt he ought to have