As an artist, I'm a constant learner of the craft of acting. I'm always looking out for films that make me better, that challenge my thinking, my beliefs and opens me up to absorb new things. Andhadhun has truly been one such film that has shaped me as an actor today. It taught me to challenge my inhibitions and showcase a completely different side to my craft that surprised me and also pleasantly surprised the audiences. I'm thankful to my director Sriram Raghavan for trusting me with his vision and thankful to the universe for giving me projects like this which I can be so proud of.

When I was doing theatre in Chandigarh, I always played negative and aggressive characters, something that nobody could imagine me in. I did imagine myself to play a cop but maybe people did not. Anubhav Sinha sir also never expected me in the role of a tough cop. And that was the challenge. More than the character, it was the subject that intrigued me.

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Last two years were very fortunate for me as my films clocked great numbers at the box office and it only gave courage to me to do a film like Article 15. It was a part of my bucket list to do a film like this because I always wanted to do something on a social issue.

As a person, I was always intrigued by the caste divide in the country. We have separate utensils for our domestic help, we do not share a meal with them or any of our staff. It is all deep rooted. It will take time to get rid of all this. We need to look within and then the conversation will be started. In rural areas the caste divide is very rampant, there are honour killings because of inter-caste alliances. We have depicted the situation as real as it could be in our film.

If you have a mainstream actor attached to a subject like this, it reaches out to a wider audience. We want to reach out to people who believe in caste discrimination and if we are able to change the mindset of one person that will be the true victory for us.

My acting career has been quite a ride. After Vicky Donor, I gave two-three unsuccessful films and that was a great learning curve. But Dum Laga Ke Haisha onwards it was cool. I learnt so much from all my films, successful or unsuccessful. You start believing in your intuition, your gut feeling. It ultimately depends on the choices you're taking. Everyone is talented today. Your career graph depends on the choice of scripts, nothing else.

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The male ego is so unnecessarily important in patriarchal societies. When a woman cannot conceive, everyone has something to tell her. When a guy can't get it up, it's shoved under the carpet. Sexual health is important to a relationship. In this film, the girl is in love with the guy and we establish the fact that their relationship goes beyond the sexual act. But the girl is emphatic that she wants to have sex.

After Vicky Donor, life is coming a full circle for me with this film. We are part of a progressive changing society. As young actors, the onus lies on us to choose subjects which must be talking points. Is our work of any value if we don't have an opinion on things?

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Karan gave me the landline number to his office when I met him. I should have taken a hint there and then. But I was so excited! I even planned exactly when I would make the call: sometime around 11:30am, so he’d be done with breakfast and available to talk.