German poet, playwright, and theatre director (1898–1956)
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), commonly known as Bertolt Brecht, was a German Marxist dramatist, stage director and poet. He is remembered for the Distancing effect practice in performing arts (known in German as Verfremdungseffekt or V-Effekt).
From: Wikiquote (CC BY-SA 4.0)
Pen Names:
Berthold Larsen
Alternative Names:
Berŭtʻoltʻŭ Bŭrehitʻŭ
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Pertōl Pirekcṭ
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Mpertolt Mprecht
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Pu-lai-hsi-tʻe
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Pertōlṭ Pirekcṭ
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Perṭōlṭ Pireṣṭ
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Bertolt Breht
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Bert Brecht
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Eugen Berthold Friedrich Brecht
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Bertholt Brecht
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Bertolʹd Brekht
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Bertolʹt Brekht
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Bertold Brecht
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Bŭrehitʻŭ
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Pei-tʻo-erh-tʻe Pu-lai-hsi-tʻe
From Wikidata (CC0)
Marie Farrar: month of birth, April
Died in the Meissen penitentiary
An unwed mother, judged by the law, she will
Show you how all that lives, lives frailly.
You who bear your sons in laundered linen sheets
And call your pregnancies a "blessed" state
Should never damn the outcast and the weak:
Her sin was heavy, but her suffering great.
Therefore, I beg, make not your anger manifest
For all that lives needs help from all the rest.
Engel verführt man gar nicht oder schnell.
Verzieh ihn einfach in den Hauseingang
Steck ihm die Zunge in den Mund und lang
Ihm untern Rock, bis er sich naß macht, stell
Ihm das Gesicht zur Wand, heb ihm den Rock
Und fick ihn. Stöhnt er irgendwie beklommen
Dann halt ihn fest und laß ihn zweimal kommen
Sonst hat er dir am Ende einen Schock.
Ermahn ihn, dass er gut den Hintern schwenkt
Heiß ihn dir ruhig an die Hoden fassen
Sag ihm, er darf sich furchtlos fallen lassen
Dieweil er zwischen Erd und Himmel hängt –
Doch schau ihm nicht beim Ficken ins Gesicht
Und seine Flügel, Mensch, zerdrück sie nicht.
Firebugs dragging their gasoline bottles Are approaching the Academy of Arts, with a grin. And so, instead of embracing them, Let us demand the freedom of the elbow To knock the bottles out of their filthy hands. Even the most blockheaded bureaucrat, Provided he loves peace, Is a greater lover of the arts Than any so-called art-lover Who loves the arts of war.
Art and science coincide insofar as both aim to improve the lives of men and women. The latter normally concerns itself with profit, the former with pleasure. In the coming age, art will fashion our entertainment out of new means of productivity in ways that will simultaneously enhance our profit and maximize our pleasure.
Unless an actor is satisfied to be a parrot or a monkey he must master our period's knowledge of human social life by himself joining the war of the classes. Some people may feel this is degrading, because they rank art, once the money side has been settled, as one of the highest things; but mankind's highest decisions are in fact fought out on earth, not in the heavens; in the 'external world', not inside people's heads. Nobody can stand above the warring classes, for nobody can stand above the human race. Society cannot share a common communication system so long as it is split into warring classes. Thus for art to be 'unpolitical' means only to ally itself with the 'ruling' group.