He is on his way to her. In a moment he will leave the wooden sidewalks and vacant lots for the paved streets. The small suburban houses flash by like the pages of a book, not as when you turn them over one by one with your forefinger but as when you hold your thumb on the edge of the book and let them all swish past at once. The speed is breathtaking. And over there is her house at the far end of the street, under the white gap in the rain clouds where the sky is clearing, toward the evening. How he loves the little houses in the street that lead to her! He could pick them up and kiss them! Those one-eyed attics with their roofs pulled down like caps. And the lamps and icon lights reflected in the puddles and shining like berries! And her house under the white rift of the sky! There he will again receive the dazzling, God-made gift of beauty from the hands of its Creator. A dark muffled figure will open the door, and the promise of her nearness, unowned by anyone in the world and guarded and cold as a white northern night, will reach him like the first wave of the sea as you run down over the sandy beach in the dark.
Russian writer (1890–1960)
Boris Leonidovich Pasternak [Борис Леонидович Пастернак] (10 February 1890 – 30 May 1960) was a Russian poet and writer famous for his 1957 novel Doctor Zhivago. His first book of poems, My Sister, Life (1917), is one of the most influential collections ever published in the Russian language. He was awarded the Nobel Prize for Literature in 1958, an event which enraged the Communist Party of the Soviet Union, which forced him to decline the prize, though his descendants were later to accept it in his name in 1988.
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And then, amidst the joy that grips everyone, I meet your mysteriously mirthless gaze, wandering no one knows where, in some far-off kingdom, in some far-off land. What wouldn't I give for it not to be there, for it to be written on your face that you are pleased with your fate and need nothing from anyone
I don't know a movement more self-centered and further removed from the facts than Marxism. Everyone is worried only about proving himself in practical matters, and as for the men in power, they are so anxious to establish the myth of their infallibility that they do their utmost to ignore the truth. Politics don't appeal to me. I don't like people who don't care about the truth.
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But it turns out that those who inspired the revolution aren't at home in anything except change and turmoil, they aren't happy with anything that's on less than a world scale. For them transitional periods, worlds in the making, are an end in themselves. They aren't trained for anything else, they don't know anything except that.