British science fiction writer (1925–2017)
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Many modifications in private and public life took place. Privacy ceasing to exist, all new houses were glass-built, curtains abolished, walls pulled down. Police went, the entire legal structure vanished overnight — a man does not litigate against himself. A parody of Parliament remained, to deal with foreign affairs, but party politics, elections, leaders in newspapers (even newspapers themselves) were scrapped.
She was sceptical about the painting when it was finished. 'It's nice. But it's not quite like the real thing.'
'But what would be the point of it being exactly like the real thing?'
The next day, he painted the same corner of the room as previously. Bea's response was as before.
He was amused. He painted the corner of the room over and over. She was never entirely satisfied.
When he had produced his hundredth canvas, she kissed him tenderly, suggesting he gave up. 'You'll never be a success...
Irreconcilables: he should stay here and conform; he should — not stay here (remembering no time when he was not here, Harley could frame the second idea no more clearly than that). Another point of pain was that "here" and "not here" seemed to be not two halves of a homogeneous whole, but two dissonances.
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Of the laws we can deduce from the external world, one stands above all: the Law of Transience. Nothing is intended to last. The trees fall year by year, the mountains tumble, the galaxies burn out like tall tallow candles. Nothing is intended to last — except time. The blanket of the universe wears thin, but time endures. Time is a tower, an endless mine; time is monstrous. Time is the hero. Human and inhuman characters are pinned to time like butterflies to a card; yes, though the wings stay bright, flight is forgotten. Time, like an element which can be solid, liquid or gas, has three states. In the present, it is a flux we cannot seize. In the future, it is a veiling mist. In the past, it has solidified and become glazed; then we call it history. Then it can show us nothing but our own solemn faces; it is a treacherous mirror, reflecting only our limited truths. So much is it a part of man that objectivity is impossible; so neutral is it that it appears hostile.