Brook Taylor Quotes

I would recommend it to the Masters of the Art Painting... to establish a better Method for the Education of their Scholars, and to begin their Instructions with the Technical Parts of Painting, before they let them loose to follow the Inventions of their own uncultivated Imaginations.

The Greatest Masters have been the most guilty... The great Occasion of this Fault, is certainly the wrong Method that generally is used in the Education of Persons to this Art: For the Young People are generally put immediately to Drawing, and when they have acquired a Facility in that, they are put to Colouring. And these things they learn by rote, and by Practice only; but are not at all instructed in any Rules of Art. By which means when they come to make any Designs of their own, tho' they... don't know how to govern their Inventions with Judgment, and become guilty of so many gross Mistakes, which prevent themselves, as well as others, from finding that Satisfaction, they otherwise would do in their Performances.

It is generally thought very ridiculous to pretend to write an Heroic Poem, or a fine Discourse upon any Subject, without understanding the Propriety of the Language wrote in; and to me it seems no less ridiculous for one to pretend to make a good Picture without understanding Perspective...

The Art Perspective is necessary to all Arts, where there is any occasion for Designing... but it is more particularly necessary to the Art Painting...

And upon this occasion I would advise all my Readers, who desire to make themselves Masters of this Subject, not to be contented with the Schemes they find here; but upon every Occasion to draw new ones of their own, in all the Variety of Circumstances they can think of. This will take up a little more Time at first; but in a little while they will find the vast Benefit of it, by the extensive Notions it will give them of the Nature of these Principles.

I have endeavour'd to make every thing so plain, that a very little Skill in Geometry may be sufficient to enable one to read this Book by himself.

The true and best way of learning any Art, is not to see a great many Examples done by another Person, but to possess ones self first of the Principles of it, and then to make them familiar, by exercising ones self in the Practice. For it is Practice alone, that makes a Man perfect in any thing.

I make no difference between the Plane of the , and any other Plane whatsoever; for since Planes, as Planes, are alike in Geometry, it is most proper to consider them as so, and to explain their Properties in general, leaving the Artist himself to apply them in particular Cases, as Occasion requires.

In order to this, I found it absolutely necessary to consider this Subject entirely anew, as if it had never been treated of before; the Principles of the old Perspective being so narrow, and so confined, that they could be of no use in my Design: And I was forced to invent new Terms of Art, those already in use being so peculiarly adapted to the imperfect Notions that have hitherto been had of this Art, that I could make no use of them in explaining those general Principles I intended to establish.

It seems that those, who have hitherto treated of this Subject, have been more conversant in the Practice of Designing, than in the Principles of Geometry... that might have enabled them to render the Principles of it more universal, and more convenient for Practice. In this Book I have endeavour'd to do this; and have done my utmost to render the Principles of the Art as general, and as universal as may be, and to devise such Constructions, as might be the most simple and useful in Practice.

Considering how few, and how simple the Principles are, upon which the whole Art of <small>PERSPECTIVE</small> depends, and withal how useful, nay how absolutely necessary this Art is to all forts of Designing; I have often wonder'd, that it has still been left in so low a degree of Perfection, as it is found to be, in the Books that have been hitherto wrote upon it.