A central concept called into question by net-poetry is the relation with reality. Does it make sense to define "virtual" reality as what actually reaches us through the Internet? How the artist relates to it, how he or she perceives and represents it and how a net-poet should "sing" it? The relationship with reality mediated by the Internet is a network of contacts in itself, it is ontologically a "connective" image of reality, which gradually outlines and qualify itself, both as reality and as representation.

Intelligence is always connective. The biosphere works this way, through continuous contacts, catalysts, neurons which touch and activate other neurons. Today, this all has not only biological and chemical consistency, but a technological and teleinformatics one: it is not just a metaphor, or a "virtual" reality, but a real entity, a kind of emanation of the biosphere.

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When I speak of language, I do not only mean poetic or verbal language: I am thinking of the language of mathematics, of physics, et cetera. It is a fascinating topic. Language is an interface between us and the world. Beyond language there is nothing but pure mystical contemplation of the universe.

Now that everything is, or may be, "digital" and could contemplate its membership in an e-category, the final product should be always studied, not only in its appearance, but in its process, structure, in its modes of functioning and of presentation / fruition and also in an historical perspective.

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Making art means not only using languages, but also creating new ones. To do this, new tools are indispensable. Even returning to more traditional languages such as linear poetry or narration, after being enriched by the experience of hypertext, hypermedia and multimedia, allows us to rethink the older forms of expression and transfer the lessons of the new media into even the more traditional modalities of language, such as narrative, for example.

And I go down the stairs again with the screeching of my worn out soul P. G. tunes instruments for his golden arm alchemy in a metropolitan shell The squeak of time was thrown back into the cracks where the plaster has the form of a twisting branch and my veins are sturdy trunks, scaly, for drops of green sap nourishment rising from the bowels of the earth, …

E-literature is certainly a broader concept than e-poetry, but it can also be limiting: like Verlaine in a famous line from his Art Poétique, one might conclude: et tout le reste est e-littérature, to emphasize the imponderable specificity of poetry.

If language is a virus from space, even people could be disguised aliens on our planet, because language is inextricably bound to human mental processes, in the forms of our intelligence, to the extent that symbolic language is what makes us different from other living beings.

The biosphere is now enriched with an other stratum, mid-way between the material and the spiritual, and that is the web of connections, a “virtual” reality made of communication by means of the new media. On a daily basis, we move around in this space with all the content we are capable of. This physically concretizes the concept that all humans can merge in a single moment, where no one is separated from the others and all become a single entity, which is the web.