Nigerian writer
Chigozie Obioma (born 1968) is a Nigerian writer and assistant professor at the University of Nebraska-Lincoln.
From: Wikiquote (CC BY-SA 4.0)
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I believe that some of the strongest stories we can have begin with very simple archetypes…The great mother, or the great father, for example. And you work your way from that, slowly, to more complexity. The idea of this guy who wants to be with the woman he loves – you can say the same of the movie Gladiator, for instance. If you strip everything down to the basics, it’s just about Maximus wanting to go back to his wife and every other thing stopping him. Even Homer’s Odyssey; he just wants to go back and the entire universe is conspiring against that ambition.
Mother was a falconer. The one who stood on the hills and watched, trying to stave off whatever ill she perceived was coming to her children. She owned copies of our minds in the pockets of her own mind and so could easily sniff troubles early in their forming, the same way sailors discern the forming foetus of a coming storm.
Guardian spirits of mankind, have we thought about the powers that passion creates in human beings? Have we considered why a man could run through a field of fire to get to a woman he loves? Have we thought about the impact of love on the body of lovers? Have we considered the symmetry of its power? Have we considered what poetry incites in their souls, and the impress of endearments on a softened heart?”
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People always ask me, why do your stories end this way? And honestly…I want to write a feelgood story. But I think that because I’m fascinated with the metaphysics of existence, I keep thinking why, of all the people who came to Cyprus, was it Jay who died? Or, I read not too long ago of a nine-year-old doing her homework and there’s a drive-by shooting and a bullet comes in through the roof and kills her. She didn’t do anything to deserve that fate. When you think about these things, and you want to write fiction around that, the path it takes you to can feel inevitable and tragic.